Ent's opinion: the fight scenes in
RoP do show a purpose. The growth of the Dark Power and his effort to take over the remaining lands and people who hadn't bowed to him, is behind it all. At this time the 'goal' was to rule all
Middle-Earth.
Compared to the LoTR fight scenes, which depicted... oh... the growth of the Dark Power and his effort to take over the remaining lands and people who hadn't bowed to him being behind it all. At this time the 'goal' was to rule all Middle-Earth.
It's true some of RoP's 'fight scenes' seem to be a little more specific and focused... but the situation of the lands and
peoples is different by thousands of years as well.
I might just ask this: is the ultimate 'plot point' really any different at all?
Now... I do find this difference:
- The LoTR
battles, when specific, are a "battle scene" well directed and handled, majestic in scope, or intense in individual setting. (Like the
Boromir scenes).
- It's true RoP's fight scenes are quite different, showcasing individuals and their 'talents', as well as insuring we see certain things and
events happen with regard to other individuals, at times setting up something for the future. Far less people are involved in the 'big scenes', automatically reducing the 'majestic scope' of the battles as well.
Let's not forget LoTR's focus on individual characters in their battle scenes as well at times... such as the 'game' between
Legolas and
Gimli, Legolas skiing off an
Oliphaunt's trunk-- (really, PJ...please..!!)... and such. But PJ also managed to inject some small humor into the midst of (arguably) some of the most epic battle scenes ever filmed.
Bottom line, I do like the LoTR scenes
much better...far superior in conception and delivery...but I'm not quite certain there is much less 'setting up of things' in RoP. Just far less skill in battle scenes. (They do follow a great number of others who feel showcasing miraculous and impossible individual talents in fight scenes is the way to go. It's just a difference in viewpoint between the "magnificence of the individual", which is today's focus, over the "magnificence of what the group can accomplish" if we boil it down. And they forgot they were working on an epic Fantasy rather than a standard Martial Arts flick from the 1960's - 80's - with a few more recent additions.)
The point of every battle or war's beginning at its root is always "dominance" at the top by the initiator, and "refusal to be dominated" by the defenders. The unfortunate individuals who get killed trying to achieve that dominance for the leader(s) really don't count. This is why there is always a greater "unity" among the defenders, as they all don't want to be dominated. The troops of the "dominator" are already dominated, so they're just carrying out the will of
the master. No real personal investment one way or another, as their lives will not differ one whit, win or lose.
And this is where LoTR excels. We have an awareness of the countless thousands involved and dying to achieve both the prevention of domination, and the rule of Middle-earth. It's that awareness of the reason and the result that RoP misses with its almost singular focus on "The Great One" trying to dominate and "The Great One(s)" trying to stop that domination. There is no 'soul'.
Tolkien was very aware of war, its conduct and its cost. I don't know about PJ and whoever he had advising him...but he took his queue from Tolkien's depth and depictions of battles as another and integral part of the whole soul of the Fantasy.
Amazon has failed in this arena, so though they have 'set up' the same stage of 'trying to achieve dominance' their scenes come off with the color and flavor of a glass of water - and they have done a very poor job of infusing "soul" into the whole of their work.
In terms of serving us up a feast, it's quite like chewing on a chunk of cardboard by comparison with PJ. But it's still not the worst thing I've ever viewed...not by far.
I do think RoP has done PJ's work a world of good, because many who used to decry his work now herald him as quite the visionary by comparison. (And comparisons are always wonderful, leaving us a life that can shift in its perspectives like quicksand.)