Tolkienfan2007
New Member
- Joined
- Oct 6, 2005
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Tolkienfan2007 said:okay,
i'm just curious if anyone can compare Melkor to Grendel (from "Beowulf") and if not how are they different from each other?
But the gigantic foes whom Beowulf has to meet are identified with the foes of God. Grendel and the dragon are constantly referred to in language which is meant to recall the powers of darkness with which Christian men felt themselves to be encompassed. They14 are the 'inmates of Hell', 'adversaries of God', 'offspring of Cain', 'enemies of mankind'. Consequently, the matter of the main story of Beowulf, monstrous as it is, is not so far removed from common mediaeval experience as it seems to us to be from our own. . . . Grendel hardly differs15 from the fiends of the pit who were always in ambush to waylay a righteous man. And so Beowulf, for all that he moves in the world of the primitive Heroic Age of the Germans, nevertheless is almost a Christian knight.16
Beowulf - The Monsters and the Critics
Probably not...Lhunithiliel said:Amazingly, yet another similarity:
"He is a man, and that for him and many is sufficient tragedy." (ibid)
Urrr ... are we still speaking about Grendel/Melkor ?![]()
Beowulf is not, then, the hero of an heroic lay, precisely. He has no enmeshed loyalties, nor hapless love. He is a man, and that for him and many is sufficient tragedy. It is not an irritating accident that the tone of the poem is so high and its theme so low. It is the theme in its deadly seriousness that begets the dignity of tone: lif is læne: eal scæseð leoht and lif somod. So deadly and ineluctable is the underlying thought, that those who in the circle of light, within the besieged hall, are absorbed in work or talk and do not look to the battlements, either do not regard it or recoil. Death comes to the feast, and they say He gibbers: He has no sense of proportion.
Beowulf - The Monsters and the Critics