And thus it shall ever be.They say history is written by the winners; no wonder poor old Gollum gets such a bad press! I can just see Gamgee crossing out all the good stuff he did...
Once poor old Gollum is gone I basically skip through the remainder of the story before diving joyously into the Appendices, so I guess it's safe to say we have quite the oppsing views!
As someone whose favorite characters are both Gollum and Sam, I am quite split between these two opinions.Once poor old Gollum is gone I basically skip through the remainder of the story before diving joyously into the Appendices, so I guess it's safe to say we have quite the oppsing views!
I don't really have favourite human characters, but if I did, the homicidal Mr Gamgee would be at the very, very bottom of the list. No pom-pom waving whatsoever, I'm afraid.
Maybe not within the conflict between the characters, but I like both of them for different reasons.
It would also stretch credibility for Aragorn to appear out of nowhere to defeat an undead creature (and with a broken sword). Also, it would be depriving the book of a classic tavern scene. I can't imagine why anyone would want to change that.As I think I've posted elsewhere, you could have had Strider defeat the Wight - what an entrance this would be!
Westron comes from Adunaic and isn't English, as far as I know. I'm not sure if this offers any help or not.The Red Book was in another language? You are talking about The Red Book of Westmarch, right?
I thought Bilbo authored the first part of the Red Book, Frodo wrote about the War of Ring, and then Sam added some supplemental info.
And I thought it was written in Common Speech (Westron).
Sam is the man for me after Faramir.
I still don't follow you.That’s what I meant. I was being not so serious obviously since Tolkien didn’t actually translate a book he found. But in-universe, he did and it was in an ancient language 🙂.
Doesn’t specifically mention Westron but in-universe, Tolkien translated the Red Book to EnglishI still don't follow you.
Are you saying the book was, in universe, in a different language?... Different from what language?
My line of reasoning (you may jump in and correct where needed) ...
The Hobbits spoke The Common Speech which, I thought, was also called Westron.
Bilbo, sitting at his desk, wrote the first part of the Red Book (There and Back a Again) in his native language: Common Speech [Westron].
If he's writing his memoirs for posterity it makes sense that he would write it in a language that his heirs and others in the Shire could understand.
If you mean that the Red Book discovered decades or centuries later would be "In different language" than spoken by the discoverer, well, OK. but who is it that discovered it? If you are saying Tolkien is taking that part of the finder, well, again OK (I guess... I'm soooo confused...😬.)
“This account of the end of the Third Age is drawn mainly from the Red Book of Westmarch. That most important source, a collection of writings in which the traditions of the Shire were gathered, first by Bilbo and then by Frodo and others, was preserved by the descendants of Samwise the Hobbit, who enlarged it with accounts of later events. The original Red Book has not been preserved, but many copies were made, especially in Gondor. … It is here translated in full, and so presented, according to its traditional order, with only such omissions as seemed necessary for reasons of narrative continuity.”
Ah...OK. I see now. Gratias 🙂
I think Tolkien would be perfectly capable of writing Aragorn as the saviour of the hobbits without stretching credibility; as for the tavern scene, I'm not sure why it is anything like a classic?
I can see why someone might consider it a classic in the films (because of the moment when Frodo first puts the Ring on is pretty much known to everyone) but since he's talking about the books I'm not sure. Maybe also the Ring scene? I don't know.
The Prancing Pony a perfect introduction for Aragorn. Readers don't know who he is so they're on their guard as much as Frodo is. It contributes to the tension.
It serves as a template for other such scenes by other authors. It's like the granddaddy of tavern scenes in the genre.
Letter 163, 7 June1955, to W.H. Auden
Not safe for ever,’ said Gandalf. ‘There are many things in the deep waters; and seas and lands may change. And it is not our part here to take thought only for a season, or for a few lives of Men, or for a passing age of the world. We should seek a final end of this menace, even if we do not hope to make one.’
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