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What are you writing about now?

The most natural option to me appears to be a document written by the heroine. Either her report on the events or her written plan sent to her superiors for approval. Would there be any diaries available detailing how she felt about her plan?
 
No, she doesn't keep a diary because she's too easily captured. But your question got my brain thinking again.

At the time of the great quest, when she's realized who she is up against, she had several opportunities to update Galadriel on the backstory. (Amroth was king in Lorien when this part of the story happened, now Galadriel and Celeborn lead the land. So, she could write it or discuss it with Galadriel. I'm liking this because she can be more open about the details with Galadriel than she would with others (intelligence officers, i.e. spies, don't give away sources and methods to just anyone!!!)

I can make a few small adjustments to a relevant other chapter that she drove Olgfaen out of Eriador but provide no details. So, revenge would be understood, but we would learn WHY it's such a devious and personal revenge in a just-in-time method.

Thanks!!!
 
For those of you who are interested in my writing projects, I have begun to publish my main Silmarillion fanfic, Ill chances and Strange Fates! It will be an ambitious fanfic going through most of the events of The Silmarillion, from the perspective of Maitimo and my OC, Aranya. I've been working on it for quite a while-- since last November, I think-- and now I finally have enough chapters written, and enough of the overall vision figured out, that I feel it's ready for me to begin publishing. I hope to update once a week or every other week. Please check it out in the Red Book if you feel so inclined!
 
Will do!
 
Roleplaying is and always has been an essential part of how I get in my character's heads. In this case, I was roleplaying Amandil at his lowest point, held captive by one of the more powerful lieutenants of Sauron, his men prisoners, his little army shattered. The lieutenant is offering Amandil a choice: die with all his men in horrible torture, or find his family and live somewhere peaceful where Sauron will never touch him.

There's a whole line of reasoning behind this offer, so I'll explain it real quick: Amandil has, at this point, proven himself a serious threat. His men have harassed the orcs, taken out outposts, disrupted supply lines, emptied villages and recruited more people to the cause of freedom than is really convenient for this lieutenant. Having pursued and even come face to face with Amandil a number of times by now, this being knows Amandil's driving motivation is the safety and survival of his family. So he offers that to Amandil under the condition he never tried to stand against Sauron again. Or he could die a horrible death, and his entire people could be slowly and efficiently massacred.
Why not just kill Amandil here? What better message could this lieutenant send than by carefully corrupting the Lord of Andunië to the cause of Sauron? And if he is successful at this, he can gain favor with Sauron and send Amandil out against his own people.

Amandil guesses at least some of this and is unwilling to choose either option. Peace he aches for, but he refuses to sacrifice his men. And he is clinging to the idea all of Sauron's men are liars just as he is. So no matter the provocation, Amandil has been refusing to choose. Even the torture of the youngest of his men is not drawing much from him, for Amandil knows either of his choices will leave his men's blood on the floor anyway.

Finally, as the lieutenant begins to wonder if killing isn't really the best option, Amandil remembers a hidden item, one he recovered from Sauron's very tower, one disguised and encased in a cover of wood. And he draws the secret from his cloak. In a swift move, he shatters the wood with a loose stone, revealing a simple band of gold. He slips it on his finger before even he can blink, and is instantly invisible.

"Life or death? I choose neither! I choose mastery! I will protect them all. I will not let anyone fall to Sauron's might. I will keep them safe!"

And with the slender amount of power he can grasp at his first handling of the Ring, Amandil commands the lieutenant to let him and his men go.

I like the scene and thought I would share. Obviously I have no idea if this scene will ever make it into the story. But it was pretty cool to me roleplaying it here.
 

We're having fun writing this.
 
A scene from the Bayeaux Tapestry showing the style I'm going to try to emulate with my illustrations.


My first attempt, as an art class assignment. For the assignment, I have to use charcoal and/or pastels, neither of which are really appropriate for what I want to do, but one works with the limitations one has. Either way, I'll get some good practice at it. The assignment is to take a well-known work of art and add a pop-culture reference to it. The bulk of the picture should be based on the original artwork. I decided to have some fun with that.

PS - No need to tell me I have a long way to go to get better. First time I ever tried to do a large-sized human hand, though. Tried to add some modern touches to how that panel was drawn whilst still staying true to the original artwork style.

 
Oh, forgot to mention this.

If you remember, my wife volunteered to read Volume II and edit it. I'm taking her notes and deciding whether to incorporate them into the text. They are excellent suggestions, I'm accepting about 90% of them. The text should be a better read.

She's up to Canto 15, The Battle of the Anduin. I'm most of the way through incorporating the changes in Canto 14, Battle with Moria. Yep, the War of the Ring is now a hot war, the cold war in the shadows is past.

When I've made all the edits, I'll pull the text into Autocrit and Grammarly to let them help catch any mistakes I introduce in this editing pass.
 
Sat in on a free Autocrit session about planning a story using their tools. Hadn't explored that feature much, so while they were explaining the process and the tool support for it, I followed along with starting a short story. I've been wanting to write a dwarven-centric short story since I discovered stone paper and stone tiles that can be used as soft(ish) book covers. I learned more about the tool and have an inkling of a story idea started! That's way more than I had before. In fact, it's 100% more, because my mind had been blank on what to put in the story for months.

But now I have to get back to my chores, so I'll have to await that a bit. I'm replacing 3 short bookshelves with 3 tall ones. Hopefully that will give me more room to store stuff in my overflowing studio. (One of my hobbies is buying craft supplies and tools. Other hobbies include using them to make things. I'm far better at the collecting than I am at the get-it-done part of the hobbies...)
 
Six years on, and I am still working on my fantasy world.

Could you say, Tolkien disease?
That's a good thing, in my opinion. If I understand you right, doesn't that mean you're putting as much detail and effort into your world as you think will make it fulfilling to read? I regard that as amazing!
 
That's a good thing, in my opinion. If I understand you right, doesn't that mean you're putting as much detail and effort into your world as you think will make it fulfilling to read? I regard that as amazing!
Yep. I actually scrapped the entire thing once and began from the scratch because I didn't find the original idea as interesting as new idea that I had come upon by accident... though TBF I did keep the "original" to serve as a "future" of my world.
 
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