AaronAzrael
Æon
- Joined
- Dec 28, 2020
- Messages
- 213
Hello! I would like to bring up the topic of Tolkien's actual linguistic research, motivation, goals and all literary, historically valid, incentives behind his cultural heritage, the work of his life.
I would like to emphasise on his attention to the coherent approach as a Professor that studies, develops and teaches the depths of Ango-Saxon literature, given the fact that he first started constructing Arda as a way to enrich England's heroic legendarium
Please share your knowledge and own research on Tolkien as an academic, dedicated to compose the legend of his country that he believed lacked a deeper body, both in complexity and uniqueness.
I'd like to quote some excerpt from Tolkien's letters and the last quote is from a contributing essay.
"I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story-the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country. It should possess the tone and quality that I desired, somewhat cool and clear, be redolent of our 'air' (the clime and soil of the North West, meaning Britain and the hither parts of Europe: not Italy or the Aegean, still less the East), and, while possessing (if I could achieve it) the fair elusive beauty that some call Celtic (though it is rarely found in genuine ancient Celtic things), it should be 'high', purged of the gross, and fit for the more adult mind of a land long now steeped in poetry.:
"For reasons which I will not elaborate, that seems to me fatal. Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world. (I am speaking, of course, of our present situation, not of ancient pagan, pre-Christian days. And I will not repeat what I tried to say in my essay, which you read"
"Do not laugh! But once upon a time (my crest has long since fallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story-the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country"
"In a now famous letter, composed around 1951, Tolkien recalled how in his youth he was grieved that his “own beloved country… had no stories of its own (bound up with its tongue and soil),” and so resolved to compose a body of myth, fairy story, and heroic legend “which I could dedicate simply to: to England; to my country.”2 This letter has fuelled an intensive and ongoing inquiry among Tolkien scholars concerning the relationship between the various stories of Middle-earth and the geographical entity known today as England. What is rarely noticed, however, is that Tolkien’s reference to ‘English story’ in this letter is complex, and relates to language as well as land. My concern in this essay is not with those stories that he tied to the soil of England, but with his reconstruction of traditions once preserved in a language not native to that soil."
Thank you all for your attention.
I would like to emphasise on his attention to the coherent approach as a Professor that studies, develops and teaches the depths of Ango-Saxon literature, given the fact that he first started constructing Arda as a way to enrich England's heroic legendarium
Please share your knowledge and own research on Tolkien as an academic, dedicated to compose the legend of his country that he believed lacked a deeper body, both in complexity and uniqueness.
I'd like to quote some excerpt from Tolkien's letters and the last quote is from a contributing essay.
"I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story-the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country. It should possess the tone and quality that I desired, somewhat cool and clear, be redolent of our 'air' (the clime and soil of the North West, meaning Britain and the hither parts of Europe: not Italy or the Aegean, still less the East), and, while possessing (if I could achieve it) the fair elusive beauty that some call Celtic (though it is rarely found in genuine ancient Celtic things), it should be 'high', purged of the gross, and fit for the more adult mind of a land long now steeped in poetry.:
"For reasons which I will not elaborate, that seems to me fatal. Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world. (I am speaking, of course, of our present situation, not of ancient pagan, pre-Christian days. And I will not repeat what I tried to say in my essay, which you read"
"Do not laugh! But once upon a time (my crest has long since fallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story-the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country"
"In a now famous letter, composed around 1951, Tolkien recalled how in his youth he was grieved that his “own beloved country… had no stories of its own (bound up with its tongue and soil),” and so resolved to compose a body of myth, fairy story, and heroic legend “which I could dedicate simply to: to England; to my country.”2 This letter has fuelled an intensive and ongoing inquiry among Tolkien scholars concerning the relationship between the various stories of Middle-earth and the geographical entity known today as England. What is rarely noticed, however, is that Tolkien’s reference to ‘English story’ in this letter is complex, and relates to language as well as land. My concern in this essay is not with those stories that he tied to the soil of England, but with his reconstruction of traditions once preserved in a language not native to that soil."
Thank you all for your attention.
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