Elessar II
The Clark Kent of ME
- Joined
- Nov 22, 2003
- Messages
- 136

Actually, I think you're right, and not just with one thread.Morgoth said:Something must be playing up with the thread.
Iluvatar said:I am astounded! Astounded, I say! Astounded! Foe-Hammer states that s/he has found every change introduced to the movies to have been necessary for presenting the story on film. Astounded, I tell you. Ladies and gentlemen, I give you Peter Jackson in his online nom de plume.
I'm willing to concede that I'm too much of a purist in my viewing of the movies. I feared even before the first movie came out that I would be 'too close' to the books to be able to properly enjoy the movies. My fears were unfortunately realised. And I freely admit their cause.
But to suggest that everything that Peter Jackson added was absolutely necessary smacks of a degree of incredulousness that it is utterly remarkable. Such a suggestion speaks to a degree of non-critical acceptance that seriously diminishes the strength of any argument you make in the future. Every single change was necessary!?!? I am aghast! Everything? The minor things like putting the beacons on top of snow-covered mountains that would have been impossible to man. That was absolutely necessary? The minor scene of portraying Gimli as the type of stereotypical dwarf that Tolkien hated by showing incredibly crude table manners. That was absolutely necessary? (Gimli was royalty. His father did Bilbo's dishes, and yet he can't eat at table?) Bilbo just disappearing at the birthday party, without Gandalf;s theatrical embellishment. That was absolutely necessary? And major things like changing the character of Faramir. That was necessary? How!?! It only changes the portrayal of Faramir as representing the promise that was Gondor, and who Boromir might have been. How was that absolutely necessary? How? Aragorn as an exile reluctant to make any claim to his heritage, from the book's Aragorn whose entire life had been devoted to becoming king of Arnor and Gondor in order to win Arwen. That was absolutely necessary? How!?! Especially seeing as how the portrayal of the love story between Aragorn and Arwen was the weakest aspect of the movie. Did Beren ever sway from his love of Luthien? No. Would Aragorn have ever swayed from his love of Arwen, or Arwen from her love of Aragorn? No. Tell the story of that love story. It's far far more poignant. But no, according to Foe-Hammer, this change was absolutely necessary.
I'm sorry, but to claim that I have no right to question the legitimacy of some of Peter Jackson's changes is laughable. And, quite frankly, disqualifies you from serious contribution to the discussion, as you have clearly stated that your only contribution is that there is nothing to discuss.
Astounded, I say! Astounded!
Foe-Hammer said:"So far, yes. But I don't look at the changes until someone complains."
Astounding, laughable, and disqualification? You miss-quote a simple post such as that and you have the gall to utter such attacks?
simbelmyne said:How is this mis-quoted? I asked you if every change PJ made was necessary and you answered that, as far as the changes you've seen, they were. Surely you've recognized many changes from the book. Please explain to me if I misunderstand![]()
And you have to admit, the part about PJ's online nom de plume is pretty funny![]()
simbelmyne said:My question is this: Do you believe that EVERY change PJ made in adaptation was made because it was NECESSARY to presenting the story on film? That the choice was between presenting material the way JRRT did and the way PJ chose to?
nthman said:I think it is very easy to criticize after the fact. It's probably much more difficult to make these decisions during the creative process which was a furious thing during the making of these films. PJ referred to it as furiously laying down the tracks in front of a train moving at full speed or something to effect. To use a very American cliche, it's easy to be an armchair quarterback and say how things should have been done better. An example is the demise of Saruman. We have heard much criticism here about how it was left out of the end of TTT and then left out of the beginning of ROTK after it was stated it would be shifted to that movie. But PJ and the editing team got to see the scene cut into those parts of the movies and screened them for the cast and crew edited that way and decided it was not for the best. Then there is input from the studio constraints on the running time of the movie and the like. It's late, I'm tired, I hope all that made some sort of sense.
Iluvatar said:However, that being said, I am curious. What exactly am I being called when I am being called a 'NPW'?
Iluvatar said:But the change to Denethor's character is more subtle. Denethor is not a sympathetic character in the book, and he does in fact go mad in the book, so perhaps the [illegitimate male offspring] Peter Jackson's take on him is legit. And I guess maybe it is. But it lacks in subtlety. In the book Denethor was a good and noble ruler, even though he was incredibly severe. Here he's just a crackpot, insane from the get go. Yes, Denethor knew who Aragorn was and was not about to allow him the throne. But being Isildur's heir did not automatically qualify Aragorn for the throne of Gondor. In fact, there was a precedent for doing so. Aragorn's ancestor Arvedui had made the same claim for the throne after the southern line of kings had ended. So Denethor's unwillingness to cede the crown was well within historical precedent. It was only Aragorn's magnificent nobility - and dramatic rescue of the city combined with his healing - that made it obvious to all (we surmise) that he was to be King Elessar. But all that would have required subtlety. Something that the [illegitimate male offspring] Peter Jackson seems to have been unwilling to offer. Perhaps it could not have been done. I'm not a filmmaker, so I don't know. But I have seen subtle portrayals in other movies (check out Alec Guiness emerging from the box in The Bridge Over the River Kwai some time), and I believe that it could have been done. I don't know that. I just believe it to be true.
Iluvatar said:Anyway, since I'm told that I'm not actually living in the real world, I'll go back to my own little universe now. Toodleedoo!
You mean that, by having Boromir say in FOTR that his father is good, PJ presents D as a good steward?Foe-Hammer said:....PJ did present Denathor as a good steward. I do not remember the exact words but in the first movie Boromir tells how his father is a good man....
joxy said:You mean that, by having Boromir say in FOTR that his father is good, PJ presents D as a good steward?
joxy said:To that I can only say you are putting an awful of lot of meaning into one phrase, and also, well, Boromir WOULD say that about his father, wouldn't he?!
joxy said:What Iluvatar said is that PJ made D "a crackpot, insane from the get go", and indeed he does show him that way, in the flashbacks, before Boromir even gets to report on his father in FOTR.
No, I didn't say anything like that. I'm just saying that any man would say his father was "good", "wouldn't he?".Foe-Hammer said:So, you are trying to say that PJ was presenting Boromir as a son in denial about his father?
In what flashbacks are Denathor portrayed as insane or a crackpot?
joxy said:No, I didn't say anything like that. I'm just saying that any man would say his father was "good", "wouldn't he?".
Iluvatar's words.
joxy said:My view has always been that PJ's Denethor was way "over-the-top" in every encounter he had with his sons.
joxy said:What Iluvatar said is that PJ made D "a crackpot, insane from the get go", and indeed he does show him that way, in the flashbacks, before Boromir even gets to report on his father in FOTR.
"In denial" is too much of a psychological notion to apply to this case!Foe-Hammer said:....only a son in denial would say his father was good when in fact he was not.
It seemed to me that you were agreeing that pj presented denathor as a crackpot.
joxy said: