Backyard Professor
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Mor(e) of Morgoth
When we look into the etymology of words, we find fascinating side lights and sometimes shocking theological truths. Take MOR / MORI ā the sacred/dangerous darkness, for instance. (AUTHOR NOTE TO READER - Don't let this first paragraph scare you from reading the paper. My paper explains the paragraph if it is too "dense," meaning way over our heads. Scholars are like that sometimes. So please, don't lose out on a fascinating and educationally fun read because of the first paragraph.)
In VT, May 1994, #35 - "Morgoth's ring, a Linguistic Review, Part 2, by Carl Hostetter and Patrick Wynne, p. 20 - "Morgoth - 'black foe' This is variously said to correspond to the more ancient form 'Morringotto (194 n 60) or to the ancient form used by Feanor Moringotho (294). It is unclear whether these ancient forms are the Quenya cognates or instead the actual phonological ancestors of S Morgoth; but either of these forms if ancestral would yield S Morgoth, since primitive *-th was preserved in Sindarin, while primitive *-tt yields S -th (cf. beth - 'word', a mutated form of radical peth - Q querra S:363 s.v. quen (quet) LR: 366 s.v. KWET; and with the loss of the i in the ancient forms the resulting contact *-rng would yield *-rg (cf. born + gil > borngil > borgil, L:426-427. Given Mordor < morn 'black' + dor - 'land' (ibid) we might expect that Morgoth would similarly be composed of morn - 'black' + goth - 'foe. But accepting Morringotto and Moringotho as either the Quenya cognates or the phonological ancestors of Morgoth, and given the attested primitive element mor- in Mori - 'black' (LR:373 s.v. MOR) we see that the initial element mor- in Morgoth is due to primitive mori- not to morn- and that the final element goth derives from either ngotto or ngotho, but no such base has been attested, however, such a base may be postulated as a strengthened form of the attested base GOS-, GOTH- 'dread' (LR: 359). S. Morn is apparently cognate with Q morna - 'black' (III: 409) and Cf. Q morna - 'gloomy, sombre' LR: 373 s.v. MOR- and Q Mornie [to CHAT, I can't make the umlaut over e in mornie, you are going to have to] - 'darkness'.
This is the kind of VT note, dark, precise, and linguistically ferocious, in the best way, that just whets my appetite for Tolkien research! Letās walk carefully into the shadow and map it properly, with torch and grammar in hand.
āMOR / MORI ā The Sacred & Dangerous Darkness of Arda
I. Attested Foundation ā āMOR / āMORI
From The Etymologies (LR:373) we have:
āMOR / āMORI ā ādark, blackā
Attested descendants include:
This is a primary color-root of Tolkienās universe ā and importantly:
MOR is not mere black pigment.
It is existential darkness ā the absence of light and hope as well as color.
It stands opposite:
This makes it a theological root as much as a descriptive one.
II. Morgoth ā MOR ā MORN
The VT #35 note is pure gold, and it clarifies a massive misconception:
Many assume:
Morgoth = MORN (āblackā) + GOTH (āenemyā)
But Hostetter & Wynne make clear:
This is incorrect.
Instead:
Morgoth derives from MORI-, not MORN.
The ancient forms:
Morgoth = mor- (darkness) + strengthened form of GOS/GOTH (dread/foe)
And not simply āblack enemyā ā but rather:
āThe Dread of Darknessā
or
āThe Enemy Arising From Primal Blacknessā
Therefore we can now assert:
This is philologically huge ā Morgoth is not named after āblackā in the poetic sense ā he is named out of primordial darkness itself.
This elevates his name from descriptive to ontological.
He is not a black thing.
He is a darkness-being.
III. Variant Development ā MOR ā MORN
Tolkien later introduces:
Sindarin use:
Quenya parallels:
This confirms that while Morgoth derives from MORI, other dark elements (including Mordor) use MORN as a later descriptive form.
MOR = principle
MORN = manifestation
That distinction is crucial.
IV. Reconstructed Layer ā āMOR + Strengthened āGOTH
There is no direct base attested as āNGOTH,
but Hostetter/Wynne propose this:
A strengthened form of āGOS / āGOTH ā ādread, terrorā
Attested base:
āGOS / āGOTH (LR 359) ā fear, dread
So:
MORI + GOTH = ādread-darknessā / āterror born of darknessā
This is linguistically justified by:
āMOR / āMORI ā āDarkness, Blackness, Dreadā
1. Attested
Philosophically:
āMOR is the anti-root of āKAL.
Where āKAL shines, āMOR uncreates.
Where āSIL sparks, āMOR devours.
Light is creation.
Dark is negation.
That is why Morgoth is less a āvillainā and more a cosmic subtraction, a hole torn into being.
MOR ā The Darkness That Names a God
Morgoth is not merely an enemy.
He is named from the ancient root MORI ā darkness itself.
His name means not āblack enemy,ā but enemy of darkness, from darkness, composed of darkness.
In Tolkienās secret grammar, Morgoth is not a man gone wrong ā
He is the negation of light given name.
Ontological darkness, that raises this to a whole other level of gut wrenching, no? When you realize Morgoth is not simply āblackā but a personification of ontological darkness, your whole sense of Tolkienās metaphysics shifts. This is no longer color theory; this is anti-being theory.
So lets review and summarize this astonishing item Tolkien so lovingly dropped into our world. We shall skip all the etymological aspects this time and go for the mythopoetic view, this way, both scholars and we lay people can enjoy seeing a new light on that old darkness.
MOR ā The Sacred Darkness of Arda
Darkness, in our world, is usually treated as a mere absence of light. It is a simple, physical condition ā something to be banished with a flame or a switch.
But in Tolkienās world, darkness is far more dangerous, far more sacred, and far more real.
It has a name.
MOR
This ancient root, attested in The Etymologies and expanded through Tolkienās later writings, does not simply mean āblack.ā It means darkness itself ā the primal un-light out of which terror, despair, and unbeing creep into the world of form.
It is not pigment.
It is void made audible.
From this root come some of the most ominous names in all of Middle-earth:
The earliest forms of Morgoth appear as Moringotho and Morringotto, used even by Fƫanor in the earliest Quenya traditions. These forms show that the name is made from:
MORI ā darkness
It more properly means something like:
āThe Dread Being of Darknessā
āThe Enemy arising from primal un-lightā
āThe Terror born of the Voidā
This is not mere poetic language ā it is philological and metaphysical reality inside Tolkienās legendarium.
Morgoth is not just dark.
He is Darkness embodied.
And that raises him to an even more frightening category:
He is not a corrupted creature ā he is a wound in creation.
MOR vs. MORN ā Principle and Manifestation
Later in Tolkienās languages, a new form appears:
morn / morna ā meaning black, dark, gloomy.
This is the adjectival form, a descriptive version that can apply to lands, skies, moods, or objects:
MOR is the principle.
MORN is the appearance.
In other words:
MOR = metaphysical darkness
MORN = visible darkness
This gives us a powerful hierarchy:
So when Tolkien names Morgoth from MORI, he is saying something incredibly specific:
Morgoth is not just a dark being.
He is a being of darkness itself.
He is the embodiment of un-Light ā the opposite of āKAL (to shine), āGALAD (radiance), and āSIL (holy light of the Silmarils).
Where Light is Creationā¦
MOR is Un-Creation.
Sacred Darkness ā Not All MOR is Evil
And here is the profound twist.
In ancient myth, in sacred symbolism, darkness is not always purely evil.
It is also:
Before speech, silence.
Before form, the deep.
Tolkien, trained in myth and philology, understood this ancient truth.
So in his world, MOR is dangerous, but also sacred.
It is the necessary opposite that gives light its meaning.
But Morgoth twists that sacred darkness ā turns it from womb to weapon, from mystery to malice.
He takes the holy shadow and makes it hunger.
And so his name becomes a warning:
Not all darkness is evil
ā but this one chose to be.
It is free will descending into unbeing.
And that is why Morgothās fall is not just a fall into sin, but a fall into ontological decay.
What This Means for Us
We too walk through MOR at times:
Darkness is not always the enemy.
But if given a throne, it becomes one.
Just as light must be tended,
so must darkness be acknowledged, not worshipped.
The Elves did not fear the night.
They feared what ruled it.
And so, when you see the word MOR in the names of Middle-earth, remember:
You are not seeing a colorā¦
You are looking into the oldest silence of the world.
When we look into the etymology of words, we find fascinating side lights and sometimes shocking theological truths. Take MOR / MORI ā the sacred/dangerous darkness, for instance. (AUTHOR NOTE TO READER - Don't let this first paragraph scare you from reading the paper. My paper explains the paragraph if it is too "dense," meaning way over our heads. Scholars are like that sometimes. So please, don't lose out on a fascinating and educationally fun read because of the first paragraph.)
In VT, May 1994, #35 - "Morgoth's ring, a Linguistic Review, Part 2, by Carl Hostetter and Patrick Wynne, p. 20 - "Morgoth - 'black foe' This is variously said to correspond to the more ancient form 'Morringotto (194 n 60) or to the ancient form used by Feanor Moringotho (294). It is unclear whether these ancient forms are the Quenya cognates or instead the actual phonological ancestors of S Morgoth; but either of these forms if ancestral would yield S Morgoth, since primitive *-th was preserved in Sindarin, while primitive *-tt yields S -th (cf. beth - 'word', a mutated form of radical peth - Q querra S:363 s.v. quen (quet) LR: 366 s.v. KWET; and with the loss of the i in the ancient forms the resulting contact *-rng would yield *-rg (cf. born + gil > borngil > borgil, L:426-427. Given Mordor < morn 'black' + dor - 'land' (ibid) we might expect that Morgoth would similarly be composed of morn - 'black' + goth - 'foe. But accepting Morringotto and Moringotho as either the Quenya cognates or the phonological ancestors of Morgoth, and given the attested primitive element mor- in Mori - 'black' (LR:373 s.v. MOR) we see that the initial element mor- in Morgoth is due to primitive mori- not to morn- and that the final element goth derives from either ngotto or ngotho, but no such base has been attested, however, such a base may be postulated as a strengthened form of the attested base GOS-, GOTH- 'dread' (LR: 359). S. Morn is apparently cognate with Q morna - 'black' (III: 409) and Cf. Q morna - 'gloomy, sombre' LR: 373 s.v. MOR- and Q Mornie [to CHAT, I can't make the umlaut over e in mornie, you are going to have to] - 'darkness'.
This is the kind of VT note, dark, precise, and linguistically ferocious, in the best way, that just whets my appetite for Tolkien research! Letās walk carefully into the shadow and map it properly, with torch and grammar in hand.
āMOR / MORI ā The Sacred & Dangerous Darkness of Arda
I. Attested Foundation ā āMOR / āMORI
From The Etymologies (LR:373) we have:
āMOR / āMORI ā ādark, blackā
Attested descendants include:
Language | Form | Meaning |
| Sindarin | Mor | black, dark |
| Sindarin | Mori- | black (in compounds, e.g. Moria) |
| Quenya | morna | black, dark |
| Quenya | mornƫ / mornie | darkness |
| Quenya | morna | gloomy, sombre |
MOR is not mere black pigment.
It is existential darkness ā the absence of light and hope as well as color.
It stands opposite:
- āKAL / āGAL (āshine, brillianceā)
- āEL (āstar, lightā)
- āSIL / āISIL (āmoon / silver lightā)
This makes it a theological root as much as a descriptive one.
The VT #35 note is pure gold, and it clarifies a massive misconception:
Many assume:
Morgoth = MORN (āblackā) + GOTH (āenemyā)
But Hostetter & Wynne make clear:
This is incorrect.
Instead:
Morgoth derives from MORI-, not MORN.
The ancient forms:
- Moringotho (Feanorās usage in Quenya sources)
- Morringotto (other ancient form attested)
- Loss of medial -i ā mor-
- Primitive -ngth / -ngtt becomes Sindarin -goth
- -tt ā -th
- -ngg / -ngth ā g
- As seen also in:
- born + gil ā borngil ā borgil (LR 426ā427)
- parallel to beth < peth from āKWET (speech)
Morgoth = mor- (darkness) + strengthened form of GOS/GOTH (dread/foe)
And not simply āblack enemyā ā but rather:
āThe Dread of Darknessā
or
āThe Enemy Arising From Primal Blacknessā
Therefore we can now assert:
Form | True Origin | Meaning Value |
| MOR | āMOR / āMORI | sacred/primordial darkness |
| MORN | cognate with morna | later formed adjective |
| Morgoth | MORI + GOTH | Being of dread from the darkness |
This elevates his name from descriptive to ontological.
He is not a black thing.
He is a darkness-being.
Tolkien later introduces:
- S. morn ā black, dark
- Q. morna ā gloomy, dark
- Q. mornie ā darkness
Sindarin use:
Term | Meaning | Notes |
| mor | black, dark | primal, root form |
| morn | dark, black | adjective/derived |
| Mordor | mor + dor | āBlack Landā |
| Moria | mor + i(a) | āBlack Chasm/Placeā |
| Morgai | mor + gae | dark spear/barrier |
Term | Meaning |
| morna | black |
| mornie | darkness |
| MorniĆ« alantiĆ« | āDarkness has fallenā |
MOR = principle
MORN = manifestation
That distinction is crucial.
There is no direct base attested as āNGOTH,
but Hostetter/Wynne propose this:
A strengthened form of āGOS / āGOTH ā ādread, terrorā
Attested base:
āGOS / āGOTH (LR 359) ā fear, dread
So:
MORI + GOTH = ādread-darknessā / āterror born of darknessā
This is linguistically justified by:
- Tolkienās habit of strengthened forms in compounds
- The phonological behavior of -ngth / -ngg / -tt ā th
- Multiple parallels in Vinyar Tengwar notes
āMOR / āMORI ā āDarkness, Blackness, Dreadā
1. Attested
- āMOR / āMORI ā āblack, darkā (LR 373)
- Q. morna, mornie ā gloomy, darkness
- S. mor ā dark, black
- S. morn ā dark, black
- Mordor = mor + dor ā āBlack Landā
- Moria = mor + ia ā āDark Chasm / Placeā
- Morgai = boundary-shadow (mór + spear sense)
- MORI + strengthened āGOTH = Morgoth
- Based on ancient forms: Moringotho / Morringotto
- Supported by āGOS / āGOTH ā ādread, terrorā
Name | Root Meaning |
| Morgoth | āDread-being of Darknessā |
| Mordor | āLand of Darknessā |
| Moria | āAbyss of Darknessā |
| Morna | āBlack, dark, sombreā |
| Morgai | āWall/hedge of darknessā |
āMOR is the anti-root of āKAL.
Where āKAL shines, āMOR uncreates.
Where āSIL sparks, āMOR devours.
Light is creation.
Dark is negation.
That is why Morgoth is less a āvillainā and more a cosmic subtraction, a hole torn into being.
MOR ā The Darkness That Names a God
Morgoth is not merely an enemy.
He is named from the ancient root MORI ā darkness itself.
His name means not āblack enemy,ā but enemy of darkness, from darkness, composed of darkness.
In Tolkienās secret grammar, Morgoth is not a man gone wrong ā
He is the negation of light given name.
Ontological darkness, that raises this to a whole other level of gut wrenching, no? When you realize Morgoth is not simply āblackā but a personification of ontological darkness, your whole sense of Tolkienās metaphysics shifts. This is no longer color theory; this is anti-being theory.
So lets review and summarize this astonishing item Tolkien so lovingly dropped into our world. We shall skip all the etymological aspects this time and go for the mythopoetic view, this way, both scholars and we lay people can enjoy seeing a new light on that old darkness.
MOR ā The Sacred Darkness of Arda
Darkness, in our world, is usually treated as a mere absence of light. It is a simple, physical condition ā something to be banished with a flame or a switch.
But in Tolkienās world, darkness is far more dangerous, far more sacred, and far more real.
It has a name.
MOR
This ancient root, attested in The Etymologies and expanded through Tolkienās later writings, does not simply mean āblack.ā It means darkness itself ā the primal un-light out of which terror, despair, and unbeing creep into the world of form.
It is not pigment.
It is void made audible.
From this root come some of the most ominous names in all of Middle-earth:
- Mordor ā The Land of Darkness
- Moria ā The Dark Abyss
- Morgai ā The Spear-hedge of Shadow
- And most terribly:
Morgoth
The earliest forms of Morgoth appear as Moringotho and Morringotto, used even by Fƫanor in the earliest Quenya traditions. These forms show that the name is made from:
MORI ā darkness
- a strengthened form of āGOS / āGOTH ā dread, terror, foe
It more properly means something like:
āThe Dread Being of Darknessā
āThe Enemy arising from primal un-lightā
āThe Terror born of the Voidā
This is not mere poetic language ā it is philological and metaphysical reality inside Tolkienās legendarium.
Morgoth is not just dark.
He is Darkness embodied.
And that raises him to an even more frightening category:
He is not a corrupted creature ā he is a wound in creation.
Later in Tolkienās languages, a new form appears:
morn / morna ā meaning black, dark, gloomy.
This is the adjectival form, a descriptive version that can apply to lands, skies, moods, or objects:
- Mordor ā āBlack Landā
- morna ā dark, somber
- morniĆ« ā darkness, night
MOR is the principle.
MORN is the appearance.
In other words:
MOR = metaphysical darkness
MORN = visible darkness
This gives us a powerful hierarchy:
Root | Meaning | Level |
| MOR / MORI | Darkness (Void, negation) | Ontological |
| MORN / MORNA | Black, gloomy, dark | Descriptive |
| Black (English) | A color | Visual |
Morgoth is not just a dark being.
He is a being of darkness itself.
He is the embodiment of un-Light ā the opposite of āKAL (to shine), āGALAD (radiance), and āSIL (holy light of the Silmarils).
Where Light is Creationā¦
MOR is Un-Creation.
And here is the profound twist.
In ancient myth, in sacred symbolism, darkness is not always purely evil.
It is also:
- the womb of creation
- the place of rest
- the hidden seed
- the silent unknown
Before speech, silence.
Before form, the deep.
Tolkien, trained in myth and philology, understood this ancient truth.
So in his world, MOR is dangerous, but also sacred.
It is the necessary opposite that gives light its meaning.
But Morgoth twists that sacred darkness ā turns it from womb to weapon, from mystery to malice.
He takes the holy shadow and makes it hunger.
And so his name becomes a warning:
Not all darkness is evil
ā but this one chose to be.
It is free will descending into unbeing.
And that is why Morgothās fall is not just a fall into sin, but a fall into ontological decay.
We too walk through MOR at times:
- grief
- doubt
- loneliness
- despair
- fear of the unknown
Darkness is not always the enemy.
But if given a throne, it becomes one.
Just as light must be tended,
so must darkness be acknowledged, not worshipped.
The Elves did not fear the night.
They feared what ruled it.
And so, when you see the word MOR in the names of Middle-earth, remember:
You are not seeing a colorā¦
You are looking into the oldest silence of the world.
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