simoncrosbybuttle
New Member
- Joined
- May 14, 2024
- Messages
- 37
Oh, I’m on here now, so I’ll pop in and out.
My Tolkien is a bit skewed these days towards these adaptations - after eight years of recording them I still go back to the books and surprise myself when things are different! But it’s always a pleasant surprise.
As for a few people here that have commented on voice types - whilst we all have our choices for certain characters they may not always be appropriate for the style of music. A counter tenor is a specific sound but there’s a reason they are not written for in certain styles of music.
A good benchmark for your favourite characters in these adaptations is “how much do they actually speak in the original Tolkien?” Paul has not added dialogue but in some cases has moved poetry around so that characters like Idril actually have a voice.
My Tolkien is a bit skewed these days towards these adaptations - after eight years of recording them I still go back to the books and surprise myself when things are different! But it’s always a pleasant surprise.
As for a few people here that have commented on voice types - whilst we all have our choices for certain characters they may not always be appropriate for the style of music. A counter tenor is a specific sound but there’s a reason they are not written for in certain styles of music.
A good benchmark for your favourite characters in these adaptations is “how much do they actually speak in the original Tolkien?” Paul has not added dialogue but in some cases has moved poetry around so that characters like Idril actually have a voice.

