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What are you writing about now?

This is the basis for the tune for my latest song. It's a traditional Finnish Lullaby, Nuku Nuku Nirmiluntu.
For bonus points, a lullaby tune is appropriate for the story as it's being created/performed by a child in the story, and she's singing a song of mourning to put the souls of two recently slain young men to rest - something that a small Cardolani village next to the Barrow Downs considers an important task.

The music on the Youtube video has this many notes on a line, per line. 8, 8, 8, 8, 9, 8, 8, 8, 8, 8, 8, 1 .
I'll need to add a few more I have a pattern of 8, 8, 8, 8, 9, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 1. So, basically, five extra 8 note lines.

is the Finnish tune.

Here's the draft version. I won't be able to really tell if it scans properly when sung until I'm home from my trip and torture the cats with my singing. I **know** it still needs work. (Feel free to give suggestions!)

Horse hooves clatter in foggy night,
Bear battle’s burden and give fright;
Knight’s page Perrin, loyal in life,
Yielded life’s blood for lady’s life.

O! No more hope of Love’s embraces,
For courage robbed lover’s graces.
No maid greets her love’s returning.
His mother’s life soon o’erturning.

Belovèd Valdûrmir, daughter’s son,
Chased dogs on highland wooded runs.
Hero’s tales, they bring child’s grieving
With a mother’s dreadful tiding.

Young man loves his life’s duty more
Than all his hopes or life adore.
Never sums a skirmish’s cost
To those who love the life he lost.

O!
 
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I sense this is a dangerous day for me.
Over on the Paul Corfield Godfrey Discord, everything I've been reading in our little interchanges, especially in the "Tales of Composing" thread, has been turning into verse in my head.
This led me into just asking Paul if he's written anything regarding the reforging of Narsil and its renaming as Andúril into his music for LoTR.
Thundering into my head now, is some verse about the breaking and reforging of Narsil... something I don't think I've ever seen any verse about.

I may now need to write something up on that... expanding it from before breaking to after reforging.
Could be a bit lengthy.
But should be able to be posted in my 'Verse and Rhyme' thread - and shouldn't be TOO controversial.

Anyway, I feel I may need to diverge to a snippet of Verse here again..! A bit of a longer one.

I may even be able to write it from Narsil's own point of view.
 
Sounds like fun!

Years ago, I started a story from the POV of a very sleepy ent who's been inactive for a long time, who is awakened by yrch marching into the area and an elven scout who has discovered their line of march.

It was very hard thing to write and I set it aside after 1200 words. Hopefully I'll finish it.
 
Well, it has not left me, so today I began collecting background and information for my poem Narsil. (Title subject to change.)
And yes, it's going to need to be told from Narsil's point of view.

Will try to add it to the Ent's "Verse and Rhyme..." thread fairly soon. Or at least some early stages of it.
As the thing is being forged in my mind, Narsil is being forged in the First Age, and will soon be 'self aware' to tell its tale.
 
Hum. Thank you. I'll give it a peek too, soon. I like 'free' of course - and I've never heard of WyWriter so might's well figure out what it be.
 
You're welcome.

This is how it looks like. I drew on that part because it contained spoilers.

I'm currently adding in my main characters and their bio. I haven't written anything because for some reason, the thought of it intimidates me. I know I'm likely to edit whatever I'm writing now later, but it doesn't really help me when I think about it.
 
Having just recovered from an illness lasting roughly a week, I'm going back to my own writing projects again It's nice to have a clear head again. Soon I hope to be able to wrestle out some Quenya and post a new chapter of my little story.

This fanfic I'm attempting is helping me solidify Middle-earth in my head, the concept of everyday life there and how time may have passed. This will be helpful for my tale of Amandil, when I pick it up again. Also, I'm finally picking up certain aspects of Quenya! :] Neat.
 
I've mostly recovered from my trip to London.

I made a copy of volume I and omitted all the chapters that haven't reached first draft status yet. I popped it into AutoCrit to see how I'm doing on the finished bits. As a side note, 154,000 out of 240,000 are in completed chapters.

The Generic Descriptions report only showed 5 words it felt were overused. 4 of them had less than 10 usages apiece, so not a big issue. I still have too many usages of the verb "looked" at 194. It's better than my last book! It will be interesting to see how many of the usages of "looked" are in the older writing compared to the newer! (I'm hoping most of them are in the older material!)

The Word Frequency report shows a lot of words that it thinks are overused. Some of them are in the nature of the story, i.e., a story with lots of battles is going to refer to the flanks, center, thangon, etc. I'll check them out and see what I want to change. This report will take a lot of work to go through.

The Unnecessary Filler Words looks good. It thinks the number of "that" usages is good, I think it's probably still too high at 520. I'm willing to bet most of these usages are in the older writing! (I need to make a list and check off each fix as being in new or old writing.)

The Redundancies report is pretty clean. It catches redundant phrases like "knelt down".

The Cliche report looks good. Some of my usages are literal and not used in the context of a cliche. Example: You spot someone riding on the wagon. "On the wagon" is a cliche for trying to stay sober, but in context, it's clear that the meaning is the person is literally riding on a wagon.

The Showing vs Telling report has revealed many problems. This report highlights when the author tells the reader what someone is thinking rather than showing the reader through the character's actions or words. It's nowhere near as bad as it looked when I first ran it against volume II, so I'm hoping it's mostly in the older writing. Time will tell.

I didn't really use the Adverbs report in Volume II. I may want to go back and revisit it. Volume I shows a lot of problems. Here's the guidance on this report.
https://autocrit.com/editing/support/adverbs/ After all the practice I've gotten editing and rewriting, I understand this one enough to tackle it now. The rewording necessary was just too much before. I checked out a few entries in the report and, right off, could identify a better way to phrase it.

The Repeated Words report shows a lot of entries, but most of them are just 2 uses of a given word in close proximity. I'm not worried about those. A quick glance at a few with larger numbers showed me they were all gathered together in the endnotes. (AutoCrit converts footnotes to endnotes because, being web-based, it doesn't have pages. All those report entries can (mostly) be ignored.)

Took a look at the Pacing and Momentum report. It identified about 240 slow-paced paragraphs. Those are very long or full of complex sentences, vocabulary or some combination of the above. By comparison, a similar-sized work by Tolkien would have 423 such paragraphs, whereas Brandon Sanderson would have 42. I'm now down to 184, seven of which I couldn't figure out a way to change. (Yet?)

Now I need to go enamel a book cover.

Oh, forgot to mention this. On my last day in London I was able to visit an art school I've dreamed of attending for about 15 years now. It used to be the Prince of Wales' School of Traditional Arts. Now it's the King's Foundation School of Traditional Arts. Our host said I should call first to see if they allowed people to tour the facility and explained that they would stop me at the door and not let me enter. If there's anything I've learned, it's never ask a bureaucrat for permission for anything out of the ordinary. The answer is inevitably "No."

"Nah, I'll just go over there."

"You should call first, they might not let you in."

My wife chimed in, "David's pretty good at that sort of thing..."

So, I ventured out into downtown London. I got an unofficial guided tour of the studios and the student work areas, including their work in progress. I also got to make a two-clay medieval-style floor tile in one of the studios. Plus I made new friends and invited them to visit me in the US and make things in my studio.
Good times!
 
Your time in London sounds like an epic one, all round. I'm glad your writing program is helping so much, I honestly never thought one could find something so thorough outside of dedicated editors(or beta readers).
 
Well, it turns out my wife caught COVID-19 on the trip. I'm in the clear so far. I guess I'm now happy that the guest room and dorm we stayed in on our trip had small and separate beds. It didn't seem like a blessing at the time. We're all vaccinated and boosted, so this will likely just be a nuisance illness. Here's hoping that's true!

I've been looking at Autocrit's list of adverbs in Volume I and reading advice from various people on how to replace them to improve one's writing.

Here are some URLs that have helpful material.

I suspect this site may soon become a favourite. Put in a phrase and it gives you back a host of options. It even lets you specify whether you want nouns, verbs, adjectives, etc. https://www.onelook.com/reverse-dictionary.shtml

Suggested replacements for commonly used adverb/verb combinations: https://www.novelnurseediting.com/2018/05/07/adverb-alternatives/

Good discussion on the topic:
Another good discussion with examples: https://writing.stackexchange.com/questions/41656/replacing-adverbs

Some good examples of adverb replacement: https://kathysteinemann.com/Musings/adverb-abuse/
 
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