Interestingly, Courtney, those few people who enjoy fantasy novels now number 90 million by the last count of worldwide book sales of TLotR. And are going up all the time due to the increased publicity from the movie.
I rarely remember a book about which I have had such violent arguments. Nobody seems to have a moderate opinion: either, like myself, people find it a masterpiece of its genre or they cannot abide it, and among the hostile there are some, I must confess, for whose literary judgment I have great respect. A few of these may have been put off by the first forty pages of the first chapter of the first volume in which the daily life of the hobbits is described; this is light comedy and light comedy is not Mr. Tolkien's forte. In most cases, however, the objection must go far deeper. I can only suppose that some people object to Heroic Quests and Imaginary Worlds on principle; such, they feel, cannot be anything but light "escapist" reading. That a man like Mr. Tolkien, the English philologist who teaches at Oxford, should lavish such incredible pains upon a genre which is, for them, trifling by definition, is, therefore, very shocking.
Originally posted by Bryheinnen
I don't have my little book with me, but when I find it I will refute what you suggested about Tolkien's popularity. LOTR is the best-read and most widely loved book of the century, verified as such by several polls and studies, much to the chagrin of the literary elite who like to disparage its worth as a piece of literature (they, of course, much prefer the current postmodernist and deconstructionist trash)
Back later with the goods.
January 1997: Studio Miramax acquires the rights to The Lord of the Rings for Peter Jackson. Director and studio agree to make two three-hour films, called The Fellowship of the Ring and The War of the Ring.
July 1998: Miramax gets cold feet, saying it wants a single movie of no more than three hours duration. Jackson refuses. Miramax's Harvey Weinstein gets "a bit angry" and threatens to hire another director. Cameron fast-talks and Weinstein gives Jackson four weeks "to find someone to make the film that you want to make". August 1998: With time running out, Jackson approaches New Line boss Bob Shaye. After a 45-minute presentation he gets what he wants and more. Shaye says if there are three books, there should be three films and on the 24th announces plans to make them all at once - a first in Hollywood history
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