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Discussion The Works of Curufinwë (discussion)

But the painful flare of Maedhros' spirit crying out burst into his own troubled dream, and he woke up suddenly, knowing someone had screamed even though he only heard it through his sleeping ears.
Oh, so that's what it was! Oh my 😶

If you notice what he said, it could equally apply to why he believes Celebrimbor stayed in Nargothrond when Curufin was banished.
His son 'knows when to leave' and would not waste his efforts in 'turning fools from their ways'.
I did pick up on that one. ☹️ Made me sad.

I think Celegorm, Caranthir, and Curufin do sense that the end is drawing near for them, in a way. Even if they don't consciously think about it, it does show in their actions towards the end of the chapter.
Indeed. Celegorm was especially obvious in how he was affected by it. He already looks like he's burning out.

Even though he doesn't know it, perhaps he does sense there is no more future for him in Middle-earth.
I think this story, more than any other I have ever read from the minds of others, has brought Fëanor's family into sharp focus for me and illuminated their struggles as well as their possible mindsets. I may inadvertantly borrow from your creation when I elaborate on my own Fëanorians. My apologies in advance, but perhaps it is a compliment, as your work has been so very well and carefully made.
 
I think this story, more than any other I have ever read from the minds of others, has brought Fëanor's family into sharp focus for me and illuminated their struggles as well as their possible mindsets. I may inadvertantly borrow from your creation when I elaborate on my own Fëanorians. My apologies in advance, but perhaps it is a compliment, as your work has been so very well and carefully made.
That's ok. In the realm of fantasy, we all borrow from each other. In addition, we are all already writing stories inspired by someone's existing work! ❤️😄

I most certainly do count it as a compliment. I have read other people's fanfictions before, where while I understood what they were doing and liked their story well enough, their portrayal of the characters did not fit so well with my idea of them, and therefore I remained uninfluenced by them.
If the way I've written things seems plausible enough to your own internal sense of logic, I'm glad!
 
Chapter 8:

I felt a kinship with Curufin like I never had when reading this.
The restless mind, hoping and searching for a way to release all the pent up energy and creativity, but an important obstacle (the Oath for him and school for me) always blocking the way and guilt you away from whatever you wanted to do because now is not the right time, even though you live a life where the might be no after either. And even if you do give in and work on which is taking away all of your focus and attention, it doesn't not end up looking like it should, which makes you despair even more.

Everything else was also very well done. I could easily imagine Kano singing in hallway in the background and Curvo sitting by his desk and working.


I also loved the little section with Maitimo and him talking. I think you showed the dynamics you imagine for them perfectly. The slight awkwardness coming from the sheer difference between their characters would have been fun to watch, if the subject was not this dark.

Also, I completely agree with you, Curvo. Thingol has one braincell which he lost in Nan Elmoth years ago.
 
I felt a kinship with Curufin like I never had when reading this.
The restless mind, hoping and searching for a way to release all the pent up energy and creativity, but an important obstacle (the Oath for him and school for me) always blocking the way and guilt you away from whatever you wanted to do because now is not the right time, even though you live a life where the might be no after either. And even if you do give in and work on which is taking away all of your focus and attention, it doesn't not end up looking like it should, which makes you despair even more.
It's not easy to have a divided mind, and even less easy when you're such a perfectionist.

Everything else was also very well done. I could easily imagine Kano singing in hallway in the background and Curvo sitting by his desk and working.
I had very clear mental pictures of what everything looked and sounded like as well. It seems I managed to convey that effectively.


I also loved the little section with Maitimo and him talking. I think you should the dynamics you imagine for them perfectly. The slight awkwardness coming from the sheer difference between their characters would have been fun to watch, if the subject was not this dark.
So did I. This is where Maedhros tapped me on the shoulder when I was trying to wrap up the conversation between them and went: "Excuse me lil Curvo, but I also need to check if you're ok" >_>
😂

Also, I completely agree with you, Curvo. Thingol has one braincell which he lost in Nan Elmoth years ago.
Yeah... he doesn't often come off looking very good in many of the stories he's in. Old and unwise. 🥴


This was a very many-faceted chapter. So many different little things are contained within it, so that it's hard to have a general impression of what it was about. But I think they all flow nicely together and paint an interesting picture.
 
Chapter 9:

Segment 1:

...*crying sound intensifies*
Don't worry about me. There's just something in my eye.

This was... beautiful. The only way I can describe it. Not how I tend to imagine Nirnaeth, but I haven't given much thought to the aftermath of the battle itself. None of them have a chance to mourn, and everything is happening to fast. Much like in R&R, get to safety first, and then grieve.

The scattered brothers reuniting at last made me sigh in relief, even though I know none of them are supposed to perish yet.

Celegorm's cool and at some points cheeky attitude was on point for me. He'd try to distract himself with work until he forgets all of his pain, and what better thing to do than care for his brothers?

Maedhros' thing was very... Maedhros of him. Hiding his injuries until he pretty much collapses. Not cool, Nelyafinwë. Not cool.

And Maglor's disassociated condition broke my heart. He had put most of himself into making sure the traitors do not survive and now he's just...tired.

Very well done.
 
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...*crying sound intensifies*
Don't worry about me. There's just something in my eye.
A box of tissues is required for the last few chapters of this, really. 🥲

This was... beautiful. The only way I can describe it. Not how I tend to imagine Nirnaeth, but I haven't given much thought to the aftermath of the battle itself. None of them have a chance to mourn, and everything is happening to fast. Much like in R&R, get to safety first, and then grieve.
Oddly, I'd choose to describe many parts of this chapter in that way as well. There is a kind of beauty about goodness, affection and care still existing even in the midst of such tragedy, hardship and evil. Like seeing flowers burst forth from under the snow, rare, but still alive and beautiful.

And Maglor's disassociated condition broke my heart. He had put most of himself into making sure the traitors do not survive and now he's just...tired.
Same for Curufin, really. 🙁

Curufin has never seen him quite like this before. It disconcerts him. He tries again.
“Our brothers are all accounted for, and they live yet, though Amras and Maedhros have suffered grievous wounds.” He puts a little more pressure on Maglor’s shoulder. “Come, brother, I will take you on my horse. You need walk no longer.”
Maglor does not move.
Curufin searches the strange, stone-cold face anxiously. He sighs in frustration, glancing aside at the equally confounded Celegorm. Perhaps some tears would have come to his eyes, were they not so dry and sore from the heat, dust, and lack of water.
 
Chapter 10, 'An Ending'

An ending... but not quite the end of the story.

It is quite strange that 'An Ending' is 1831 words long, and the beginning chapter, 'The Green Gem', is 1813 words long.

But Dior returned no answer to the sons of Fëanor; and Celegorm stirred up his brothers to prepare an assault upon Doriath. They came at unawares in the middle of winter, and fought with Dior in the Thousand Caves; and so befell the second slaying of Elf by Elf. There fell Celegorm by Dior's hand, and there fell Curufin, and dark Caranthir; but Dior was slain also, and Nimloth his wife, and the cruel servants of Celegorm seized his young sons and left them to starve in the forest. Of this Maedhros indeed repented, and sought for them long in the woods of Doriath; but his search was unavailing, and of the fate of Eluréd and Elurín no tale tells.
- The Silmarillion, Chapter 22, 'Of the Ruin of Doriath'

I do not cover what happened to Dior's family in my story.
However, at this point I imagine Nimloth is already dead (possibly slain by Caranthir), and her young sons have been taken hostage by Celegorm's servants. Dior fought Celegorm and Caranthir both for vengeance, and to lead them the wrong way, giving a few of his people and his daughter Elwing the chance to escape with the Silmaril. Then after Celegorm's servants see what Dior did to him, they take their revenge by abandoning Eluréd and Elurín.

This brief passage in the book suggests it was quite a brutal and vicious conflict. I think I have captured that in my chapter.
 
Vicious indeed. On the one hand, I congratulate you upon your capturing such a bloody and realistic battle(at least it seemed realistic to me). On the other, my body shuddered as Curufin was stabbed. It was so similar to how his son will be impaled in his turn so many years from now. I am left wondering what could possibly be the end of such a tale when Curufin's soul has been wrenched to the Halls of Mandos, where his cleansing shall take place.

And Celegorm, Caranthir...Dior was truly a strong opponent to have finished three of the brothers himself! The strength of his father is in him. Well, or it was.

I wonder why Curufin never did search his heart throughout all his life. I would have thought he was the sort to be deeply self-inspecting. Did he not see where his father got his inspiration, where he got his plans and all his strength? Not even the will of the Valar could break him, only he himself.

I do not know if I wish the sons of Fëanor to rest in peace. Though I like them greatly, and this tale of their has left much sympathy in my heart for them, they committed many awful deeds, and in the name of their Oath were prepared to do anything, as it demanded. They ruined themselves and their people. But perhaps, before the end of Arda, their fëa shall be healed and their souls rectified of the wrongs they have done. What recompense can the dead give but to the dead? Perhaps Mandos shall make them assist and serve those they have killed all these long, long years.

In any case, I await the final chapter and look forward to it.
 
And Celegorm, Caranthir...Dior was truly a strong opponent to have finished three of the brothers himself! The strength of his father is in him. Well, or it was.
Dior is a blend of Elf, Man and Maia, and said to be very beautiful. His grandfather Thingol was the tallest of all the elves (and no doubt had strength to match his frame), and his father Beren was doubtlessly not a small and delicate Man (he was able to lift and throw Curufin, for example).

Taking all this into account, I imagined him as someone very tall and strong with greater endurance even than many Elves.


I wonder why Curufin never did search his heart throughout all his life. I would have thought he was the sort to be deeply self-inspecting. Did he not see where his father got his inspiration, where he got his plans and all his strength? Not even the will of the Valar could break him, only he himself.
He certainly thinks about things a lot, and spends a lot of time working things out. Even working other people out, either because he's curious, he cares about them, or he wishes to manipulate them (or any combination of these together!).

But he is not very self-reflective, and does not pay much attention to his own deeper feelings and desires. He is still emotionally immature, and I think he would have benefited from more time with his father Fëanor (if Fëanor himself had remained in a reasonably healthy state, which towards the end of their time in Valinor, he was not). I see him as having quickly matured in ordinary intelligence, appearing very mature in that way even as a child, but his ability to recognise and properly process his own emotions was much more slow to develop, even into adulthood.

We all need other people to grow, and Curufin never really got used to deeply confiding in anyone except Fëanor.
His emotional suppression only increased as more tragedies befell him in Beleriand, not helped by the fact that he failed to properly process any of his grief from Fëanor's death onwards. That moment irretrievably broke him, I think.


I do not know if I wish the sons of Fëanor to rest in peace. Though I like them greatly, and this tale of their has left much sympathy in my heart for them, they committed many awful deeds, and in the name of their Oath were prepared to do anything, as it demanded. They ruined themselves and their people. But perhaps, before the end of Arda, their fëa shall be healed and their souls rectified of the wrongs they have done. What recompense can the dead give but to the dead? Perhaps Mandos shall make them assist and serve those they have killed all these long, long years.
I know what you mean. But Morgoth himself was granted a second chance (which he wasted, and ended up killing Finwë and subsequently causing more devastation to the world and the Children of Ilúvatar). It would not be just to deprive these elves of the same thing, if they wish to repent of what they did. And though they did evil, they also protected the land from Morgoth and his forces for a time. They suffered much, and often felt like they had no other choice but to do what they did. Morgoth had no such excuse: he committed evil on a whim.


I am left wondering what could possibly be the end of such a tale when Curufin's soul has been wrenched to the Halls of Mandos, where his cleansing shall take place.
Oh, you shall see. 💍
 
My illustrations thread has been updated. 🙂

 
Oh my Eru. I had thought I was mentally prepared for that, but apparently not. The battle was certainly realistic, especially the description of the wounds. I could almost feel it when Curufin got stabbed. And his thoughts at the end...😭😭 If I hadn't had to be quiet in rehearsal, I would have started crying. It was very powerfully written. Wonderful job.
 
I had thought I was mentally prepared for that, but apparently not.
My exact thoughts when I wrote this chapter. I had planned out most of the details for what would happen far in advance, so I knew what I would be getting into.
However, by the time I got around to actually writing it in full, I had been writing as Curufin for over a year, so I was much more attached to him.

I could almost feel it when Curufin got stabbed.
This is the part when I really realised I was not prepared. After writing that bit, I actually had to take a break there and continue the next day. I did not have to do that at any other point in the story.

And his thoughts at the end...😭😭 If I hadn't had to be quiet in rehearsal, I would have started crying. It was very powerfully written. Wonderful job.
Yeah, it hits pretty hard. 🥲 But that was what I intended, so I'm also glad it worked out.
 
Chapter 11, 'The Three Rings'

Curufin's part in the tale has ended, but Celebrimbor's part goes on, for he appears again near the end of the book, in 'Of the Rings of Power and the Third Age'.

Celebrimbor finds the inspiration for his great work, and brings this story of 'The Works of Curufinwë' to a fitting conclusion.

If it has passed from the high and the beautiful to darkness and ruin, that was of old the fate of Arda Marred; and if any change shall come and the marring be amended, Manwë and Varda may know; but they have not revealed it, and it is not declared in the dooms of Mandos.
- The Silmarillion, Chapter 24, 'Of the Voyage of Eärendil and the War of Wrath'

And I may not know the fates of Curufin and Celebrimbor following their deaths, but I can make a guess. I have begun writing the epilogue to their story, which will appear here:
I expect I will write two more chapters for 'I Will Hold Your Hand Again', but I am not certain, as many details are still unclear in my mind.
 
My heart was heavy as soon as I perceived the chapter concerned Celebrimbor. What else could it hold besides at least the promise of the future pain, reaching out across vast distances and times to strike down this last son of Fëanor's House? Celebrimbor's motivations and thoughts were touching, especially those concerning his father, and his attempts to understand 'Annatar' were understandably met with such shining resistance he never thought of looking deeper.

The version of Celebrimbor's accomplishments in The Silmarillion is general, sweeping over the facts and arriving at the heartbreaking end without us knowing much of why or how Sauron managed to seduce the smiths of Eregion. I think your more detailed look is very good, both sorrowful in what we all know is its end and marvellous(as in 'causing marvel') in how that end came about. Sauron speaking blessings, shining bright as the sun, as near to being in his element among these smiths as he will ever be now he is cast from Aulë's company. Celebrimbor not joining in right away, watching as his guest performs little miracles with metal and jewels, making each into something more than either could ever be naturally, and then deciding to be a part of such an enterprise. Celebrimbor's own dream of a legacy not only grasping satisfaction, after all these long years, but granting him closure after all he has suffered and lost. And then, at long last, giving him the strength and defiance to hold off the one whom he once trusted so well.

Yet did Celebrimbor trust Annatar so well? This version of yours has the son of Curufin withholding his deepest dream from Annatar, speaking only of his desire to create something lasting. It makes sense, for not only had Annatar no share in the Elven Rings, he had not even known they were to be crafted until Celebrimbor had already done it. Doubtless he would have crafted them with Celebrimbor, so I do not know what held him back, unless his mind saw into that of the elf, and there perceived the plans Celebrimbor would not speak aloud.

Fond as I am of The Rings of Power tv show, I cannot help holding it as a touching alternate version of what took place between Sauron and Celebrimbor, and I was heavily reminded both of it and of another which I will elaborate upon in a moment. The desire, deep and yearning, to create some legacy worthy of his grandfather, the vast skill he possessed, and the need to safeguard what yet remained to him and to his people. The failure to see through a disguise so suited to his taste of mind, and the wretched resolve afterward to never reveal what it was too late to regret.

In the video game Shadow of Mordor, you play as Talion(a Latin word meaning "retribution"), who wakes from having been slaughtered with his family upon the Black Gate. That gate had once been held by Gondor, and now its last Rangers had fallen to an attack by three lieutenants of Sauron. Talion wakes because he has been in some way attached to a wraith(not one of the Nine) who had been wandering Mordor for over three thousand years, bound to that land by causes unknown. Part of the storyline consists in uncovering the wraith's past through the discovery of treasures which hold flashbacks. In this version, not much is given of how or why Sauron deceived Celebrimbor, but it is shown the elf-lord once had a wife and daughter he loved. After his forging of the Rings by Annatar's side, the Dark Lord came to claim them, but Celebrimbor resisted him. Sauron eventually not only overcame Celebrimbor's resistance, but captured him and his family.

The rest of the story serves as an alternate world retelling, since Shadow of Mordor and Shadow of War do not quite follow the lore of Middle-earth very well, but have their own story to tell. Celebrimbor was captured, and brought into Mordor, where his skill served to help complete the One Ring. But Celebrimbor, though Sauron sought to dominate him, had still enough self-will left to form a final resistance, and he bound what of his own spirit into the Ring he could, and then seized it himself. With the Ring he formed an army against Sauron and dominated much of Mordor, eventually attacking Barad-dûr in an attempt to get back his family. But he was captured again, his hands cut off, and his family brutally murdered before his eyes using the very smith's hammer he had used to craft so much. Then Celebrimbor himself was beaten to death, and his spirit fled, bound to Mordor as a result of what he had done to the Ring.

Both of these versions(Rings of Power and Shadow of Mordor) I find touching and sad in one way or another. I was so vividly reminded of them by what you had written, I wanted to share them. It is, of course, the closest to what The Silmarillion itself says of all the versions, and I wonder what it would look like brought to life on a screen. Very beautiful, no doubt, and long would the hearts of its audience ache.

This has been an incredible story from start to finish. I feel privileged to have read it, and I thank you for laboring over it as much as you have. The peeks into characters heretofore shadowed by general description, the motivations and fears elaborated upon, the events unfolded, all have woken many ideas and perceptions in me. Thank you, and I look forward to your next work.
 
Both of these versions(Rings of Power and Shadow of Mordor) I find touching and sad in one way or another. I was so vividly reminded of them by what you had written, I wanted to share them. It is, of course, the closest to what The Silmarillion itself says of all the versions, and I wonder what it would look like brought to life on a screen. Very beautiful, no doubt, and long would the hearts of its audience ache.
Though I have very little knowledge of either of these, I am glad you enjoyed my story as much as the other adaptations you liked. 😊
It was also very moving to think about and write this. Tragic stories are uncommon in modern fiction, I think. And yet they are a part of life, so I think they must be written.


Yet did Celebrimbor trust Annatar so well? This version of yours has the son of Curufin withholding his deepest dream from Annatar, speaking only of his desire to create something lasting. It makes sense, for not only had Annatar no share in the Elven Rings, he had not even known they were to be crafted until Celebrimbor had already done it. Doubtless he would have crafted them with Celebrimbor, so I do not know what held him back, unless his mind saw into that of the elf, and there perceived the plans Celebrimbor would not speak aloud.
I think he trusted Annatar as much as he trusted any new friend or acquaintance. Celebrimbor is not one to talk much about his personal griefs.
Here, I have Celebrimbor interested in crafting Rings of Power alongside Annatar and his fellow smiths, but he does not get the idea for the Three Rings in particular until Annatar is gone. The added grief of his departure is the catalyst for the idea, of three more Rings which would have more specialised effects.


Fond as I am of The Rings of Power tv show, I cannot help holding it as a touching alternate version of what took place between Sauron and Celebrimbor, and I was heavily reminded both of it and of another which I will elaborate upon in a moment. The desire, deep and yearning, to create some legacy worthy of his grandfather, the vast skill he possessed, and the need to safeguard what yet remained to him and to his people. The failure to see through a disguise so suited to his taste of mind, and the wretched resolve afterward to never reveal what it was too late to regret.
Interestingly, Sauron never lied here. He just... didn't tell the whole truth. He does want to build something lasting, and working together with the Elves is the way he has planned to do so...

And even here, wounded, grieved and perhaps more bitter in some ways, Celebrimbor is still so pure-hearted.
Celebrimbor turns his gaze to Annatar. The blazing brilliance of his friend’s spirit far outshines the light of every other Elf present, even cloaked as it is beneath a greyish, wavering veil.
...And I think...
Entirely unused to this way of seeing and doing things, Celebrimbor slowly gathers together the weight in his mind, focuses it to an intentional point, and ever so gently nudges Annatar. He immediately senses his surprise in return.
...Yes. I could inspire others to do great things of their own. Even plant courage and inspiration in their hearts when they have none left.
Instead of seeing this power as a tool to dominate another's will, all he thinks of doing with it is planting courage and inspiration in a heart that has none left. Something which he has seen before.
For, in time, with growing wisdom, experience and reflection (and knowledge of the fates of the other sons of Fëanor), I think he did come to realise or guess more of what happened to Curufin, and what troubled his heart.


This has been an incredible story from start to finish. I feel privileged to have read it, and I thank you for laboring over it as much as you have. The peeks into characters heretofore shadowed by general description, the motivations and fears elaborated upon, the events unfolded, all have woken many ideas and perceptions in me. Thank you, and I look forward to your next work.
I am very glad to hear so. I also love to hear the various different thoughts that spring to mind when other people read my stories.
 
I'll second a lot of what Watcher Wraith said, especially about how Annatar convinced Celebrimbor to trust him. I love the fact that Tyelpe has kept Curufin's ring all this time. 🥺 His thoughts after Annatar's departure were very somber. The effect of the ring Annatar made was super cool. It's interesting how the Three Rings echo the fates of the Silmarils. One question about them, though. How did Celebrimbor know what happened to Maglor and Maedhros? I am relieved you did not show his death, as I fear my emotions would not be able to take that. I couldn't stop crying after having watched it in Rings of Power, and was sad for the whole weekend, holiday season notwithstanding, so, considering how your writing tugs on my heartstrings, I'd be a complete mess if I read your portrayal of it. All in all, I've loved reading this story. It's been very moving and thought-provoking, as you raised ideas I never even considered. You're an incredible writer.
 
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I am relieved you did not show his death, as I fear my emotions would not be able to take that.
We were spared from that by the focus of the story. Unlike Fëanor, Celebrimbor gives his great work away, and allows them to be unbound from his heart. And since this story focuses on the things Curufin and Celebrimbor make, once he parts ways with the Three Rings in his mind, our story ends there.

And personally, I preferred to keep the impact of his death as an imagined one (especially as it is not described in detail in the Silmarillion itself). We all know what's going to happen to him, so this makes his final thoughts all the more sad. And impressive, really. He can act with completely cold practicality much more naturally than even Curufin can: if his design for his Rings must result in the sacrifice of his life, then so be it.


It's interesting how the Three Rings echo the fates of the Silmarils. One question about them, though. How did Celebrimbor know what happened to Maglor and Maedhros?
It is very interesting.
I think Maedhros and Maglor's fates would have had to be known by someone for them to be recorded in the Silmarillion, especially as what happens to their Silmarils fulfils what Mandos foretold about them.
Perhaps the brothers were secretly followed (if someone guessed they would be burned by the Silmarils, they may have followed to take the jewels back afterwards). Or perhaps someone heard what happened from Maglor afterwards, as he grieved/lamented.

So I think Celebrimbor would at least know that one Silmaril was lost in a fiery chasm, and the other was thrown into the sea. But the clue to his 'knowledge' of the details is in what he thinks here:
At last, he sets the gems into the rings, in echo of his grandfather’s work. The three blessings are drawn from deep within his own mind, and not spoken aloud.

For the air.
A bright memory. A new star appears in the sky, a guiding light for ages to come.

For the water.
A clear imagining. He hears the distant notes of an agonised lament for the past, the cracked melody blown and tossed by the sound of the sea.

And for the earth...
No. For the fire.
An awful dream, not his alone, one of means and ends. A single hand clutches its last long-sought light, staining crystal glass blood red.
He remembers when the new star Eärendil appeared in the sky.
After hearing rumours of Maglor's fate, he vividly imagines hearing a distant lament for the past, mingled with the sound of the sea.
And I imagine he had a dream of the fate of Maedhros' Silmaril at some point. Just a brief glimpse, no great detail.


And here I shall point out an interesting link this part of my chapter has with The Lord of the Rings. I did not fully intend this to begin with, and only realised these further connections while writing this chapter.

Who ends up with Vilya, the Ring of Air? Elrond, the son of Eärendil who carries the Silmaril through the sky. Elrond is also a guiding light for ages to come, Rivendell being a storehouse of knowledge, where both Bilbo and Frodo learn what they need for their respective quests.

Who ends up with Nenya, the Ring of Water? Galadriel, who is distantly heard to sing a lament in Quenya by the side of the River as the Fellowship depart Lothlórien. Ai! laurië lantar lassi súrinen...

Who ends up with Narya, the Ring of Fire? Gandalf, who is the most active of the three bearers, doing all he can to aid the free peoples in their stand against Sauron, inspiring them to have courage and fight once more. Much like Maedhros inspired the peoples of Beleriand to join together and fight Morgoth, before their great defeat.
And here is a connection I did not intend: in my story, Maedhros' burning spirit not only strikes fear into the hearts of his enemies, but courage and new strength into the hearts of his friends (as seen in Chapter 9). Narya has a similar effect: here is what Círdan tells Gandalf about it at the very end of 'Of the Rings of Power and the Third Age' in The Silmarillion.
'Take now this Ring,' he said; 'for thy labours and thy cares will be heavy, but in all it will support thee and defend thee from weariness. For this is the Ring of Fire, and herewith, maybe, thou shalt rekindle hearts to the valour of old in a world that grows chill. [...]'

Celebrimbor's memorial for the past, his grandfather's Silmarils and his lost family, really shone through into the future.


All in all, I've loved reading this story. You're an incredible writer. It's been very moving and thought-provoking, as you raised ideas I never even considered.
Thank you very much. I love to hear it! I enjoy provoking thoughts.
 
Who ends up with Vilya, the Ring of Air? Elrond, the son of Eärendil who carries the Silmaril through the sky. Elrond is also a guiding light for ages to come, Rivendell being a storehouse of knowledge, where both Bilbo and Frodo learn what they need for their respective quests.

Who ends up with Nenya, the Ring of Water? Galadriel, who is distantly heard to sing a lament in Quenya by the side of the River as the Fellowship depart Lothlórien. Ai! laurië lantar lassi súrinen...

Who ends up with Narya, the Ring of Fire? Gandalf, who is the most active of the three bearers, doing all he can to aid the free peoples in their stand against Sauron, inspiring them to have courage and fight once more. Much like Maedhros inspired the peoples of Beleriand to join together and fight Morgoth, before their great defeat.
And here is a connection I did not intend: in my story, Maedhros' burning spirit not only strikes fear into the hearts of his enemies, but courage and new strength into the hearts of his friends (as seen in Chapter 9). Narya has a similar effect.
Incredible! All this is quite true, and I wonder if Tolkien himself thought of these connections when making the rings. After all, The Silmarillion was his longest and most worked-on piece.

Regardless the connections existed and you found them! It's a treat to read.
 
Chapter 9:

Segment 2:


I found myself strangely comforted by this chapter. We rarely get to see any interactions between Maedhros and Curufin if it's not fighting when it comes to other people's writing, so I wasn't sure what to expect reading this.

And of course, Maglor comforting Curvo was so sweet to read about. The understanding they have of each other, and Kano's concern for the state of his hand (his most important tools for his craft, basically) was on point for how you portray them.
Reminds me of different headcanons where Kano either lose his voice or his hands due to his years of wandering or even Angband AUs.

The ending was a beautiful scene to imagine, with the three of them and Kano humming a familiar tune, so that they can forget all that troubles them for a while. 🥺
 
Segment 3:

The dream was very well done, in my opinion. I somehow could tell it was a dream from a beginning. (Power of Mind and all that.)

I think it makes sense for Curufin to only show those raw emotions and vulnerability in his dreams and subconscious. He won't allow himself to feel week if he was awake.

And when he woke up and thought he heard a scream, I imagined it was his own scream he had heard, until you dropped the bomb about Fingon's fate. 🥲

Celegorm's reaction was understandable, for he was probably not aware of the moment the brothers had in his absence, and Curufin's relationship with Maedhros had been rocky as of late, but I'm glad Curufin went with his own instinct and returned his brother's favor.

I also think Celegorm's avoidance of grief was very in character of him. He doesn't handle sudden surges of emotions very well, and tries to busy himself with whatever he can until he can process his thoughts by himself later on.
 

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