It’s convenient to define canonicity in ways that meet private agendas.
One online source wants to define
Silmarillion as canonical, even though Christopher
Tolkien later wrote that it had errors. CJRT also noted that after the publication of
The Lord of the Rings, his father occasionally rejected lines of development that conflicted with the published tale. I note that JRRT revised
The Hobbit to fit the narrative in
LotR.
However, what JRR Tolkien wrote and published during his own lifetime is material he oversaw himself. To me, that comprises
canon: author-produced, author-vetted, author-approved.
When I first read
The Lord of the Rings, Ace
Books had published an unauthorized version of Tolkien’s trilogy in the United States: it seems
there was a legal loophole by which they were able to do this without Allen & Unwin’s being able to stop them. Ballentine Books published an authorized paperback version, and on the back was a disclaimer bearing Tolkien’s distinctive signature:
“This paperback edition, and no other has been published with my consent and co-operation. Those who approve of courtesy (at least) to living
authors will purchase it, and no other.”
What a living author published would seem to me “canon”; all other material is
of necessity distilled and edited from notes and drafts. Christopher Tolkien remarks on how difficult it is to rectify all the differences and contradictions among the various tellings of the older stories, and I think in publishing
Children of Húrin,
Beren and Lúthien, and now
Fall of Gondolin, he has largely focused on telling the
tales rather than making all the moving pieces and parts fit snugly together.
That doesn’t mean that
Children of Húrin,
Beren and Lúthien,
Fall of Gondolin, or
History of Middle-earth,
Unfinished Tales, and
Silmarillion are not insightful and instructive toward describing and “filling out” Tolkien’s legendarium: quite the contrary! But they are not “canon” in the sense that points are unarguable merely because they were published, because there are often two, three, or even more tellings of the tale. The most notorious of these are the various backstories for
Galadriel and
Celeborn. The original one,
the one most strongly reflected in the
The Lord of the Rings, is that Galadriel rebelled against the
Valar along with the rest of the
Noldor, but fought against
Fëanor and his followers when they attacked the quays of Alqualondë and murdered her mother’s kinfolk, the Teleri of Alqualondë; and for one reason or another – either because she was herself a ringleader in the Rebellion of the Noldor (the version I like best and the earliest) or because she was too proud to accept penance in order to return to
Aman – she was banned from returning into the West. Another version is that she returned to Middle-earth at the same time but separately from the rest of the Noldor; and yet another is that she returned before the Rebellion of the Noldor. Likewise, Celeborn was a noble among the
Sindar of
Doriath, then a kinsman of
Thingol’s, then a noble of the Teleri of Eldamar, and finally a kinsman of Olwë’s (and thus of Thingol’s). Another well-known series of revisions is the exact lineage of
Gil-galad: the currently tendency is to credit
Finwë >
Finarfin > Angrod >
Orodreth > Gil-galad; but there are other versions, too. There are unresolved timeline problems in the
First Age. The list goes on and on: I’ve never compiled my own list nor seen any else’s compilation of narrative conflicts. JRR Tolkien tried for many years to resolve differences among his various narratives, but alas, without success. Christopher Tolkien has given up the attempt, too: and that is just as well, for he has completed editing his father’s three great stories of the First Age.
And really, it’s fitting: there are all sorts of narrative conflicts in every legendarium: the Olympians, the Nordic myths, Egyptians; and although I am not personally familiar with them, my friends who are tell me they appear in Indian (Vedic and Hindu) mythology, in (Han) Chinese mythology, and in various New World Indian myth cycles. To me, that just makes Tolkien’s seem that more real, at least as mythic “history”.
[T]he stories as presented aren't canon, but there is a lot of canon material that exists in the Histories, which isn't discussed in
the Silmarillion or anywhere else.
It certainly doesn’t conflict with what’s published in
The Lord of the Rings, often clarifying or expounding upon themes and ideas presented there. It’s difficult to
not accept the terrible
Oath of Fëanor, the subsequent Prophecy of the North, the three Kinslayings of the
Elves, the Leap of Beren,
Glorfindel’s battle with the
Balrog in Cassegrain, Elwing’s leaping into the sea with the Silmaril in the Nauglamír upon her breast, and so on.
[E]rrors Christopher discovered in the published LOTR were taken into account, and the results incorporated in the Corrected Edition. So in that sense, parts of the Histories have become "canon".
Of course, more errors have been discovered subsequently, so "canon" is a flexible concept. Plus, I believe some of the "corrections" are themselves errors, so the definitive edition of LOTR has yet to appear. IMO.
Tolkien Estate has appointed the husband-wife team Wayne G. Hammond and Christina Scull to edit new editions of
The Lord of the Rings. (Hammond is currently Chapin Librarian at Williams College.) They have done so in collaboration with Christopher Tolkien, who is as I write aged 93 (May the hair on his toes never fall out!), who seems to have exercised final approval on a number of small but sometimes substantive changes to
The Lord of the Rings. These changes and their reasons for them are thoroughly documented. The goal is to ultimately produce a
critical edition of the book.
That doesn’t negate your argument at all,
Squint-eyed Southerner. I prefer the tighter fit, but it is different from the version published in Tolkien’s lifetime. Tolkien’s son and heir of his literary heritage has tried to correct errors his father noticed but failed to correct (or in his view, would have noticed and corrected). Because I concur with him, I suppose I must admit to being not quite purist in this regard, but rather only nearly so.
───◊───
(TTF members note: This is the main line of a thread begun the same day by
Prince Ashitaka, “
Is the Silmarillion canon?”. There is a similar, longer, earlier thread, “
Silmarillion - To be taken as authority?” begun January 2001 by
Thorin.)