redline2200
Well-Known Member
- Joined
- Nov 26, 2002
- Messages
- 252
I think we can safely say that Olórin’s estimation of his power vis-à-vis Sauron’s was accurate.[There] is a brief and very hasty sketch … telling of a council of the Valar, summoned … by Manwë …, at which it was resolved to send out three emissaries to Middle-earth. "Who would go? For they must be mighty, peers of Sauron, but must forgo might, and clothe themselves in flesh so as to treat on equality and win the trust of Elves and Men. But this would imperil them, dimming their wisdom and knowledge, and confusing them with fears, cares, and weariness coming from the flesh." But two only came forward: Curumo, who was chosen by Aulë, and Alatar, who was sent by Oromë. Then Manwë asked, where was Olórin? And Olórin, who was clad in grey, and having just entered from a journey had seated himself at the edge of the council, asked what Manwë would have of him. Manwë replied that he wished Olórin to go as the third messenger to Middle-earth (and it is remarked in parentheses that "Olórin was a lover of the Eldar that remained," apparently to explain Manwë's choice). But Olórin declared that he was too weak for such a task, and that he feared Sauron. Then Manwë said that that was all the more reason why he should go…
I think this indicates that Sauron is still more powerful that Olórin as Gandalf the White, even enhanced in power as he is upon his return from death.Dangerous! … And so am I, very dangerous: more dangerous than anything you will ever meet, unless you are brought alive before the seat of the Dark Lord.
Perhaps there are servants of Morgoth without names, and that one of these is greater than Sauron; but I believe somewhere – I cannot find the citation – Tolkien says that Sauron in his origins was the greatest of the Maiar.Among those of [Morgoth’s] servants that have names, the greatest was that spirit whom the Eldar called Sauron... In his beginning he was of the Maiar of Aulë, and he remained mighty in the lore of that people. In all the deeds of Melkor the Morgoth upon Arda, in his vast works and in the deceits of his cunning, Sauron had a part, and was only less evil than his master in that for long he served another and not himself. But in after years he rose like a shadow of Morgoth and a ghost of his malice, and walked behind him on the same ruinous path down into the Void.
Sauron was Morgoth’s chief lieutenant until Lúthien defeated him at Tol Sirion; then he fled, and it seems he hid even from Morgoth, lest his master humiliate him in his defeat by Melian’s daughter.Sauron was “greater” … in the Second Age than Morgoth at the end of the First. … Eventually [Sauron] also squandered his power (of being) in the endeavor to gain control of others. But he was not obliged to expend so much of himself. To gain domination over Arda, Morgoth had let most of his being pass into the physical constituents of the Earth – hence all things that were born on Earth and lived on and by it, beasts or plants or incarnate spirits, were liable to be “stained”. …
Sauron … inherited [this] “corruption” of Arda, and only spent his (much more limited) power on the Rings; for it was the creatures of earth, in their minds and wills, that he desired to dominate. In this way Sauron was also wiser than Melkor-Morgoth. Sauron was not a beginner of discord; and he probably knew more of the “Music” than did Melkor, whose mind had always been filled with his own plans and devices, and gave little attention to other things. The time of Melkor’s greatest power, therefore, was in the physical beginnings of the World; a vast demiurgic lust for power and the achievement of his own will and designs, on a great scale.
[O]nly Gandalf might be expected to master [Sauron] – being an emissary of the Powers and a creature of the same order, an immortal spirit taking a visible physical form. In the “Mirror of Galadriel’, … it appears that Galadriel conceived of herself as capable of wielding the Ring and supplanting the Dark Lord. If so, so also were the other guardians of the Three, especially Elrond. … Elrond or Galadriel would have proceeded in the policy now adopted by Sauron: they would have built up an empire with great and absolutely subservient generals and armies and engines of war, until they could challenge Sauron and destroy him by force. Confrontation of Sauron alone, unaided, self to self was not contemplated. One can imagine the scene in which Gandalf, say, was placed in such a position. It would be a delicate balance. On one side the true allegiance of the Ring to Sauron; on the other superior strength because Sauron was not actually in possession, and perhaps also because he was weakened by long corruption and expenditure of will in dominating inferiors. If Gandalf proved the victor, the result would have been for Sauron the same as the destruction of the Ring; for him it would have been destroyed, taken from him for ever. But the Ring and all its works would have endured. It would have been the master in the end.
Gandalf as Ring-Lord would have been far worse than Sauron. He would have remained “righteous”, but self-righteous. …
Gandalf as ring lord. That’s just Gandalf, let’s imagine olorin out of the old mans body. Olorin would be far worse than Gandalf with the ring. Olorin could be stronger than Sauron even without the ring.From the essay “The Istari” in Unfinished Tales, I think we can safely say that Olórin’s estimation of his power vis-à-vis Sauron’s was accurate.
When the Three Hunters meet Gandalf the White for the first time in Fangorn Forest, when Gimli remarks that Gandalf speaks of Treebeard as a friend though Gimli’s impression was that he was dangerous, Gandalf begins his reply,I think this indicates that Sauron is still more powerful that Olórin as Gandalf the White, even enhanced in power as he is upon his return from death.
And in Silmarillion, in the section “Valaquenta”, part “Of the Enemies”, the very last paragraph says, Perhaps there are servants of Morgoth without names, and that one of these is greater than Sauron; but I believe somewhere – I cannot find the citation – Tolkien says that Sauron in his origins was the greatest of the Maiar.
In Morgoth’s Ring, in the section “Myths Transformed”, the essay “Notes on motives in the Silmarillion” beings by saying,
Sauron was Morgoth’s chief lieutenant until Lúthien defeated him at Tol Sirion; then he fled, and it seems he hid even from Morgoth, lest his master humiliate him in his defeat by Melian’s daughter.
Back to “Valaquenta” for a moment. Eönwë herald of Manwë is described as one “whose might in arms is surpassed by none in Arda.” Olórin is described as “wisest of the Maiar”, and the Silmarillion says that, “he loved the Elves, [and] walked among them unseen, or in form as one of them.” But while it attributes the greatest military might to Eönwë, and the greatest strength to Tulkas the Vala, it does not attribute power to Olórin, but wisdom.
Only the Ring would have given Olórin greater power than Sauron. In Letter 246, Tolkien writes,
Perhaps there are servants of Morgoth without names, and that one of these is greater than Sauron
Ah, no. In the book, they confront each other (both on horses!) at the shattered gate of Minas Tirith, but the Witch-king turned back because the Horns of the Rohirrim made his attention for this to him negative turn of events necessary. That Gandalf vs. Witch-king on a fell beast scene in the film (only EE version?) rates among the lowest pieces of garbage Peter Jackson committed in the films. Gandalf the White would have made confetti out of the Witch-king.
Then while speaking to Pippin:
Then:Gandalf looked through the gaping Gate, and already on the fields he heard the gathering sound of battle. He clenched his hand. 'I must go ' he said. 'The Black Rider is abroad, and he will yet bring ruin on us. I have no time.'
It would seem that Gandalf had little doubt of the relative strengths of himself and the Witch king.'Maybe I can,' said Gandalf; 'but if I do, then others will die, I fear. Well, I must come, since no other help can reach him. But evil and sorrow will come of this. Even in the heart of our stronghold the Enemy has power to strike us: for his will it is that is at work.'
It would seem that Gandalf had little doubt of the relative strengths of himself and the Witch king.
I did not say that "he was about to crush him like a fly" but to me it seems clear that Galdalf felt he was well able to block any actions that the Witch King tried. Gandalf knew it was very unlikely that he could destroy the Witch King but that he could prevent him from destroying others.I must disagree here; the quotes you give, as well as others given earlier, to me indicate a great deal of doubt. Gandalf stood up to the Witch-King at the gate, but as I said, I got no feeling he was about to crush him like a fly. Likewise, he doesn't tell Pippin he can't come with him because he as to go out and destroy the WK; what the lines convey to me is the attitude of someone prepared to sacrifice himself to protect others, even if he is killed in the attempt -- that is, even if he fails. We saw him do this in Moria; it's unlikely he was confident of victory there, and I believe the same is true here.
No, you didn't -- I did. I was referring to my previous comments about the Gate encounter. Sorry if it sounded like I was imputing them to you.I did not say that "he was about to crush him like a fly"
Tom Shippey makes a forceful statement that JRRT, in LoTR, with a frequent use of “ors” in many scenes, remains silent on the incompatibility (to Christian orthodoxy generally, not just the now so considered eastern variant of it) of two world views: the “Boethian” (evil is simply an absence of good, a character defect, so to speak) and the “Manichaean” “heresy” (there are, in the extreme thought of as equally potent, but at least on the Lucifer / Satan / (Morgoth) level, actual powers out there that are having real-life effects, something that millions of people, especially after WW II, would resoundingly affirm). While JRRT was very much an orthodox, conservative Roman Catholic, his (also professional!) fascination with what he called the “theory of courage of the North” appears to have held him back very much from what his long-time friend C.S. Lewis wrote about much more openly, apparently in his “Narnia” books, and never mind in his (Ulster-Protestant, in the somewhat disapproving view of JRRT) “Christian apologetics”.… The author could have made this an unqualified statement, but chose to add a note of ambiguity, something he does throughout the work, in ways large and small. Whether he does this as a deliberate strategy, or because he himself doesn't know the answers, is a question -- I'd suggest a mixture of both --but the ambiguities remain, to be chewed (and argued!) over.
Did he? There's a lot going on in that scene, with some mysterious description; in this case:
And of his own workOf course there was and is all the Arthurian world, but powerful as it is, it is imperfectly naturalized, associated with the soil of Britain but not with English; and does not replace what I felt to be missing. For one thing its 'faerie' is too lavish, and fantastical, incoherent and repetitive. For another and more important thing: it is involved in, and explicitly contains the Christian religion.
For reasons which I will not elaborate, that seems to me fatal. Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world. (I am speaking, of course, of our present situation, not of ancient pagan, pre-Christian days. And I will not repeat what I tried to say in my essay, which you read.)
The cycles begin with a cosmogonical myth: the Music of the Ainur. God and the Valar (or powers: Englished as gods) are revealed. These latter are as we should say angelic powers, whose function is to exercise delegated authority in their spheres (of rule and government, not creation, making or re-making). They are 'divine', that is, were originally 'outside' and existed 'before' the making of the world. Their power and wisdom is derived from their Knowledge of the cosmogonical drama, which they perceived first as a drama (that is as in a fashion we perceive a story composed by some-one else), and later as a 'reality'. On the side of mere narrative device, this is, of course, meant to provide beings of the same order of beauty, power, and majesty as the 'gods' of higher mythology, which can yet be accepted – well, shall we say baldly, by a mind that believes in the Blessed Trinity.
Um, yes, but taking what Elrond said in that children's (still quite old-school) fairy-tale as a quote seems to me a bit dubious, perhaps except for "made in Gondolin". Which would mean that JRRT had actually done some "corner-painting" on this topic in TH! I have this vague feeling that he had some (perhaps subconscious) resentment towards his masterpiece LoTR, as he had painted lots of corners there, which he could no longer use in the still-unfinished Sil - he had robbed himself, so to speak, of an awful lot of "niggle-room".
We use cookies and similar technologies for the following purposes:
Are you happy to accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Are you happy to accept cookies and these technologies?