"nice" (from which nicety derives) is one of those words whose orignial meaning is so far removed from its current meaning you have to wonder if it's really the same word. Tolkien's use of it reflects the 1500s definition.....to a nicety The Council of Elrond (Gandalf speaking): "…let folly be our cloak, a veil before the eyes of the Enemy! For he is very wise, and weighs all things to a nicety in the scales of his malice…Into his heart the thought will not enter…that having the Ring we may seek to destroy it…", [Definition: exactly, accurately.]
Fane: Akallabeth “But in the midst of the land was a mountain tall and steep, and it was named the Meneltarma, the Pillar of Heaven, and upon it was a high place that was hallowed to Eru Iluvatar, and it was open and unroofed, and no other temple or fane was there in the land of the Numenoreans.” [Definition: a temple or shrine. Archaic]
Origin of "fane"... comes to us from the Latin word fanum: a temple or sanctuary or shrine.Thanks.
Although, fane was already on the list...
fane Akallabeth: "…and it was named the Meneltarma, the Pillar of Heaven, and upon it was a high place that was hallowed to Eru Iluvatar, and it was open and unroofed, and no other temple or fane was there in the land of the Numenoreans.", [Archaic meaning: temple.]
I heard of the Song of Roland in Personal Recollections of Joan of Arc by Mark Twain.Tolkien: An oliphaunt is an elephant.
Real World: An oliphant/olifant is a war horn or hunting horn made from an elephant tusk.
Olifant from the treasury of Aachen Cathedral
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This entry for the list became a bit cumbersome. So, starting with a summary explanation: I am quite intrigued that Tolkien first uses the word oliphaunt (cited below) shortly before we meet Faramir and learn that he recovered Boromir’s horn. And, Boromir’s horn and final battle bear some striking similarities to this historical Knight of Charlemagne, Roland, and his olifant/horn and his final battle of history and epic poetry.
oliphaunt The Black Gate is Closed: "Sam stood up, putting his hands behind his back…and began: ‘Grey as a mouse, Big as a house, Nose like a snake, I make the earth shake…Oliphaunt am I, Biggest of all, Huge, old, and tall. If ever you’d met me You wouldn’t forget me…’", [Meaning: elephant.] {Noteworthy Similarity to oliphant sometimes spelled olifant: The Song of Roland, A Translation by Dorothy L. Sayers, Published 1957: “The County Roland with pain and anguish winds His Olifant, and blows with all his might. Blood from his mouth comes spurting scarlet-bright He’s burst the veins of his temples outright. From hand and horn the call goes shrilling high: King Carlon hears it who through the passes rides, Duke Naimon hears, and all the French beside. Quoth Charles: “I hear the horn of Roland cry!...”, [Definition: a horn made from an elephant tusk sometimes used as a hunting horn or sometimes as a war horn. Sometimes used as a proper name specifically to denote Roland’s horn. Roland was a Knight under Charlemagne. He blew his olifant/horn calling for aid at the ‘Battle of Roncevaux Pass’ but died before aid could arrive 15 August 778 A.D. Consider the similarity with Boromir, his horn, and his final battle.]}
The death of Roland at the Battle of Roncevaux, illuminated c. 1455–1460 by Jean Fouquet
(Note the olifant laying by Roland’s side)
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As Detective Columbo might say: “Just one more thing...”: There’s an epic poem “The Song of Roland” just like there’s Tolkien’s “The Song of Boromir”.
From Wikipedia…
The Song of Roland (French: La Chanson de Roland) is an 11th-century chanson de geste based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to the 16th centuries.
It is an epic poem written in Old French and is the first example of the chanson de geste, a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. An early version was composed around AD 1040, with additions and alterations made up to about AD 1115. The final poem contains about 4,000 lines.
I'd love to hear from anyone who's heard this story of Roland before and/or made any connection to Boromir and his horn. Especially if you see any errors in anything I've presented above.
I occasionally hear it spoken but I have read it, even in contemporary non fiction, articles, journals pretty often.“not but what” is a particularly strange-sounding grouping of words to my ear: very clumsy and hard to decipher a meaning from the combination of simple words.
If we were talking about humans , I think "equivocal" would allow the expression to be open to interpretation, as human thought can be capricious and uncertain.Possible, though "in the thought of" seems to make it equivocal.
I took it to mean that they were brothers despite being created and not born (the usual definition of brothers - born with a parent in common). All the Ainur were created by Ilúvatar, yet some are considered close kin while others are not. The distinction of whether they are 'siblings' or not is only in how Ilúvatar thought/created them to be, as they all came into being in the same manner.
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